

‘Fabiola’ by Francis Alÿs.
‘Fabiola’ is an installation of over 300 painted copies and reproductions of fourth century Saint-Fabiola, collected by Francis Alÿs from flea markets and antique shops throughout Europe and America in the last 20 years. They are all based on a now lost original painting by french artist Jean-Jacques Henner made in the nineteenth century.
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By sk
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Posted in Composition
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Also tagged amateur, America, belgian, belgium, collection, copy, europe, fabiola, francis alys, icon, Jean-Jacques Henner, lost, many, mexico, one, original, representation, reproduction, saint
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Orogenesis Derain

Orogenesis Turner

Orogenesis Pollock
‘Landscapes without memory’ by Joan Fontcuberta.
For the project Landscapes without Memory Joan Fontcuberta used software developed by the US Air Force. It translates two-dimensional cartographic data into a simulated three-dimensional image. Instead of feeding maps into the software, in Landscapes without Memory, Fontcuberta inserts painted landscapes: from Gauguin to Van Gogh, from Cezanne to Turner and Constable. The software translates them into new, virtual landscapes.


‘Hot!’ (2004) by Ray Beldner.
Artworks found in the background of pornmovies. (see also Brad Tinmouth)

Studio of Derk Thijs at the RijksakademieOPEN 2009.
A personal favourite at last weekend’s Rijksakademie open studios.
More photo’s:
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‘Coucher du soleil à Poudrantais’ painted by my grandad W. Buskes in 1977.
By sk
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Posted in Piet
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Also tagged 1977, beach, coucher du soleil a poudrantais, coucher du soleil a pourantais, grandad, opa, pourantais, sea, sun, sunset, W. Buskes, wiel
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Opening of Aukje Koks‘ show and working period at Lokaal 01, Antwerp.
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By sk
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Posted in Abstraction
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Also tagged antwerp, Aukje Koks, avenue, belgium, breda, card, DIY, ellen, lokaal 01, lokaal kabaal, marielle, marijna, muur, the legs, wall, window
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Ed Ruscha, ‘Pay nothing until April’ (2003)
Thanks for the advice, Ed!
Ed’s website
Alex Hubbard @ Whitney Biennial
The other highlight for me was the video ‘Annotated Plans for an Evacuation ‘ (2009) by Alex Hubbard.
In the video, Hubbard continuously alters the look of an old, used Ford Tempo. He does this with styrofoam, plaster and spraypaint in a way that makes it seem like he has a very clear plan for the make-over. However, over the course of the video, the purpose for his alterations becomes increasingly unclear, while their pointlessness becomes ever more clear.
The video, as installed at the Whitney.