Katinka Pilscheur , exhibition overview at Dortmunder Kunstverein, 2009
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By mh
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Posted in Abstraction
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Also tagged commerce , DIY , found , fuckem , german , germany , installation , katinka pilscheur , muur , romance , sculpture , trash , unknown
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Martin Boyle , Untitled (2008)
Click the picture to see the video.
Martin Boyle produces work that is both playful and performative. He re-presents mass produced quirky objects and packaging in multiple forms to the viewer through video installation and sculptural pieces. His work highlights a preoccupation with ideas of value, or lack off, through his use of packaging and consumer goods…
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By mh
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Posted in Abstraction
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Also tagged boyle , consumer goods , consumers , DIY , fuckem , fun , installation , ireland , joke , light , martin boyle , money , packagings , products , satire , sculpture , trash , unknown , value , video
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Ivan Puig , ‘Mandala’ (2006)
Just one more work after ‘le jump’.
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By mh
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Posted in Composition
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Also tagged action , DIY , found object , fuckem , fun , glass , installation , ivan puig , light , mandala , mechanical sculpture , minmal , music , performance , romance , sculpture , trash , unknown , water
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Johannes Vogl , Ohne Titel (Marmeladenbrotstreichmaschine) / Untitled (Machine to produce jam breads) (2007)
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By mh
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Posted in Zwarte Piet
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Also tagged austria , bread , catcher , DIY , drache , fire , fuckem , fun , germany , hairspray , house , installation , jam , johannes vogl , light , mosquito , nature , performance , romance , sculpture , the wild , trash , unknown , vogl
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Last Friday @ Galerie Gallery was the opening of Willem Claassen ’s show! Here are some very bad pictures of the evening, better pictures will follow on the website of Galerie Gallery!
Willem & Work.
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By mh
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Posted in Piet
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Also tagged action , balls , biljart , billiard , DIY , fuckem , fun , Galerie Gallery , installation , muur , opening , performance , play , playtime , pool , relational aesthetics , sculpture , trash , unknown , wall
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Tomorrow, Friday the 18th, Galerie Gallery will be showing a brand spanking new work by Willem Claassen . Come and see it!
By mh
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Posted in Piet
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Also tagged action , claassen , DIY , elite deluxe , fuckem , fun , Galerie Gallery , installation , joke , opening , performance , play , relational aesthetics , romance , sculpture , sky , street view , text , trash , wall , willem claassen
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Samuel Zealey , ‘Inverting suction’, 2008
By mh
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Posted in Composition
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Also tagged ball , DIY , fuckem , installation , inverting , mechanical sculpture , samuel zealey , sculpture , suction , vacuum cleaner , zealey
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Stephane Vigny , ‘<<I>> de…’ (2007)
Two sanders mounted on a wall. (Via )
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By mh
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Posted in Abstraction
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Also tagged cramp , design , DIY , French , i , installation , sanders , sculpture , stephane vigny , vigny , vintage
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Wesley Meuris , ‘Cage for Saimiri Boliviensis’ (2006)
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Dan Havel and Dean Ruck , ’Inversion’ (2005)
Interview here .
By mh
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Posted in Abstraction
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Also tagged action , black hole house , dan havel , dean ruck , DIY , havel , house , installation , inversion , light , public art , relational aesthetics , ruck , sculpture , suburb
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I took this picture in Hong Kong in 2007.
Banks Violette , ‘Untitled (church)’ (2005)
Stereo Rain, (2007) by Jeroen Doorenweerd . Click Read More for video.
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Olafur Eliasson , ‘Beauty’ (1993)
Thomas Rentmeister , ‘untitled’, mirror, toothpaste (2000)
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Simon Starling , ‘Shedboatshed’ (2005)
Starling dismantled a shed and turned it into a boat. He loaded the boat with the remains of the shed, the boat was paddled down the Rhine to a museum in Basel, dismantled and re-made into a shed.
Encastrable , ‘Toutterrain (All Terrain)’ (2009)
Encastrable is a French collective doing interventions at different (mega-)stores. They use the materials available in the stores for their temporary installations and sculptures.
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Kurt Schwitters , Merzbau Hannover (1933)
Merzbau seen from the outside.
Well, I wasn’t going to mention this, but I just couldn’t resist…
Pierre Ardouvin
Pierre Ardouvin, ‘Les Quatre Saisons’ (2010)
Pierre Ardouvin is participating in WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?
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