Frederik van Simaey, excerpts from ‘Together we are one’.
Van Simaey’s work is on view from Friday 20hrs on until the 18th of April, during the exhibition ‘WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?’
Jack Falanga, Untitled (Fireworks) (Ongoing)
Jack Falanga will participate in ‘WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?‘ !
Danh Vo, ‘Oma Totem’ (2009)
Totem of objects that Vo’s grandmother, Nguyen Thi Ty, received from The Immigrant Relief Program and The Catholic Church upon arriving in Denmark as a refugee: – 1 Phillips 26 inch TV – 1 Gorenje washing machine – 1 Bomann refrigerator – 1 wooden crucifix – 1 personalized entrance card for a casino
Martin Boyle, Untitled (2008)
Click the picture to see the video.
Martin Boyle produces work that is both playful and performative. He re-presents mass produced quirky objects and packaging in multiple forms to the viewer through video installation and sculptural pieces. His work highlights a preoccupation with ideas of value, or lack off, through his use of packaging and consumer goods…
Watch the top right surveillance screen.
This is sped-up footage of mr. Nicholas White trapped in an elevator in the McGraw-Hill Building for 41 hours, after having a cigarette for lunch outside.
The story and some more facts about elevators, as featured in the New Yorker, here.
Mandla Reuter, ‘Coppice’ (2002)
An intervention that caused people to have to find a different way into the room.
‘Shooting into the corner’ (2009) by Anish Kapoor.
Installation at the Royal Academy of Arts in London (2009). A canon shoots 11 kilograms heavy wax balls into the corner of the next room.
Johannes Vogl, Ohne Titel (Marmeladenbrotstreichmaschine) / Untitled (Machine to produce jam breads) (2007)
Daniel Bejar, ‘The visual topography of a generation gap’ (2006 – now)
A copy was made from Bejar’s original apartment key, then a copy was made from that copy. This process was repeated until the original keys information was destroyed, resulting in the topography of a generation.
During the etching process five keys are submerged in an etching solution. From time to time one of the objects is removed from the solution, until finally a small unrecognisable shape was left over.
During the galvanisation process, metal atoms from a copper sulphate solution are deposited onto the objects by means of electrolysis. Just like during the etching process, four keys have been subject to the chemical process for an increasing period of time.
Driessens & Verstappen, ‘Morphoteque #13′ (2003)
Ferdinand ‘Postman’ Cheval’s ‘ideal castle’.
Cheval began the building in April 1879. He claimed that he had tripped on a stone and was inspired by its shape. He returned to the same spot the next day and started collecting stones.
For the next 33 years, during his daily mail route, Cheval carried stones from his delivery rounds and at home used them to build his Palais idéal, the Ideal Palace. First he carried the stones in his pockets, then a basket and eventually a wheelbarrow. He often worked at night, by the light of an oil lamp.
Cheval spent the first two decades building the outer walls. The Palace is a mix of different styles with inspirations from the Bible to Hindu mythology. Cheval bound the stones together with lime, mortar and cement.
More after the jump.
This is a picture of the apple ’species’ that Billy Apple is growing in New Zealand. A spotless, perfectly red apple that’s supposed to hit a grocery store near you sometime in the coming years…
For Willem, obviously:
Gabriel Orozco, ‘Pendulum’ (19??)
Pendulum is an oval billiard table, with the middle ball swinging back and forth, suspended from a string.
Last Friday @ Galerie Gallery was the opening of Willem Claassen’s show! Here are some very bad pictures of the evening, better pictures will follow on the website of Galerie Gallery!
Willem & Work.
Tomorrow, Friday the 18th, Galerie Gallery will be showing a brand spanking new work by Willem Claassen. Come and see it!
Michel de Broin, ‘Nuit Blanche’ (2009)
The largest mirror ball ever made was suspended from a construction crane 50 meters above the ground to render the starry sky to the citizens of Paris for one night in the Jardin du Luxembourg during the Nuit Blanche event.
Opening: Friday March 12, 20:00h.
Pierre Ardouvin
Pierre Ardouvin, ‘Les Quatre Saisons’ (2010)
Pierre Ardouvin is participating in WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?
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