Born as a commission from the city of Milan to make a portrait of African immigrant Abdullay Kadal Traore, ‘Duet for Cannibals’ works as a dialogue between him and the artist. During the dialogue he shows Abdullay a drawing of his and ask him if he would like to make what is shown there for the commission – it’s an erotic position that they should both take.
Jon Sasaki, ‘Flyguy triggering his own motion sensor’ (2010)
A flyguy (one of the familiar dancing inflatables that wave people into carwashes and fast food restaurants) has been moved into the gallery and hooked up to a motion sensor.
AirPort is placed in a forest, between trees and bushes. The huge departures display shows flight numbers, departures times, gates, airlines and destinations. All information is displayed in real time. A female voice announces changes in the timetable, last calls and other information that is usually announced at airports.
Live in front of the audience Dawicki reads a text explaining he’s sorry for the failed performance he’s giving. Finally, to make up for wasting the audience’s time and the curator’s chance of putting on a good show, he hands out sweets while a taperecorder plays the sound of him crying and once more apologizing.
A performance seen in Rotterdam during Witte de With’s performance cycle ‘Let us compare mythologies’. Pictures by Peter Rakossy.
The following pictures were taken at the Dia:Beacon, one of the Dia Art Foundation’s residencies in the state of New York. They have an impressive collection of iconic pieces of art, and each artist has their own room inside their wonderful building, the former Nabisco box printing facility built in 1929.
Christoph Schlingensief
Christoph Schlingensief, ‘The last supper’
‘Little shrine’
The trailer of a documentary on Schlingensief’s action ‘Auslaender raus!’
Christoph Schlingensief died last Saturday, the 21st of August, at the age of 49.
Watch the documentary “Deutschland, deine Kuenstler: Christoph Schlingensief” below.
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