During a lonely stay in Finland, Maarschalk asked his mother, girlfriend and roommate to pick a date and time in the future, on which they expected him and themselves to still be alive. For each person he made a drawing that shows the exact curve in which the sun enters his studio on that specific time. The drawings were sent to each participant by post.
Olivier Maarschalk is participating in WHAT’S THE POINT OF GIVING YOU ANY MORE ARTISTS? which opens coming Friday at eight.
This is sped-up footage of mr. Nicholas White trapped in an elevator in the McGraw-Hill Building for 41 hours, after having a cigarette for lunch outside.
The story and some more facts about elevators, as featured in the New Yorker, here.
Cheval began the building in April 1879. He claimed that he had tripped on a stone and was inspired by its shape. He returned to the same spot the next day and started collecting stones.
For the next 33 years, during his daily mail route, Cheval carried stones from his delivery rounds and at home used them to build his Palais idéal, the Ideal Palace. First he carried the stones in his pockets, then a basket and eventually a wheelbarrow. He often worked at night, by the light of an oil lamp.
Cheval spent the first two decades building the outer walls. The Palace is a mix of different styles with inspirations from the Bible to Hindu mythology. Cheval bound the stones together with lime, mortar and cement.
Last Friday @ Galerie Gallery was the opening of Willem Claassen’s show! Here are some very bad pictures of the evening, better pictures will follow on the website of Galerie Gallery!
Sam Durant, ‘Bordeaux statue of liberty’, from the series ‘Defaced monuments’, an ongoing collection of statues, sculptures, memorials, markers and monuments that have been intentionally or unintentionally altered, damaged or destroyed as a political statement or during a political protest.
There are four replicas of the Statue of Liberty (given to the U.S. by the French in 1886) in France. This one, an 8 ft., bronze statue, was erected in 2000 in Bordeaux. The original replica had been erected in 1887 but was dismantled and melted for scrap metal by Nazis in WWII. A plaque honoring the victims of the September 11, 2001 terrorist attacks was added to the second statue later. On the night of March 25, 2003, in what is believed to be an anti-war or perhaps anti-American statement, red paint was poured on the statue. It was lit with gasoline and the face was blackened by fire. The plaque commemorating the victims of September 11th was also cracked.
Opening: Friday March 12, 20:00h.
Pierre Ardouvin
Pierre Ardouvin, ‘Les Quatre Saisons’ (2010)
Pierre Ardouvin is participating in WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?
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