
Nathan Coley, ‘We must cultivate our garden’ (2007)

Eric Von Robertson, ‘All alone together’ (2010)
Initial research project around Duane Hanson’s realist figures.
Car Dealer – The watch on this sculpture has been dormant for years.
This project is essentially about replacing the batteries in these sculptures or inhabiting them in some way.
Eric Von Robertson is participating in WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?, the very first exhibition curated by Pietmondriaan.com, opening tonight at KOP in Breda!


Frederik van Simaey, excerpts from ‘Together we are one’.
Van Simaey’s work is on view from Friday 20hrs on until the 18th of April, during the exhibition ‘WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?’

Olivier Maarschalk, ‘Memories from the future’
During a lonely stay in Finland, Maarschalk asked his mother, girlfriend and roommate to pick a date and time in the future, on which they expected him and themselves to still be alive. For each person he made a drawing that shows the exact curve in which the sun enters his studio on that specific time. The drawings were sent to each participant by post.
Olivier Maarschalk is participating in WHAT’S THE POINT OF GIVING YOU ANY MORE ARTISTS? which opens coming Friday at eight.

‘Gone fishing, be back tomorrow nite. Raf’
Raf Rooijmans will participate in WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?

Tris Vonna-Michell, ‘The trades of others’. Performance still (2008)
Vonna-Michell’s performances and installations function as chapters within a non-linear story, combining personal myth with historical traces.
Interview here
Watch the top right surveillance screen.
This is sped-up footage of mr. Nicholas White trapped in an elevator in the McGraw-Hill Building for 41 hours, after having a cigarette for lunch outside.
The story and some more facts about elevators, as featured in the New Yorker, here.

Mandla Reuter, ‘Coppice’ (2002)
An intervention that caused people to have to find a different way into the room.
‘Shooting into the corner’ (2009) by Anish Kapoor.
Installation at the Royal Academy of Arts in London (2009). A canon shoots 11 kilograms heavy wax balls into the corner of the next room.

Ferdinand ‘Postman’ Cheval’s ‘ideal castle’.
Cheval began the building in April 1879. He claimed that he had tripped on a stone and was inspired by its shape. He returned to the same spot the next day and started collecting stones.
For the next 33 years, during his daily mail route, Cheval carried stones from his delivery rounds and at home used them to build his Palais idéal, the Ideal Palace. First he carried the stones in his pockets, then a basket and eventually a wheelbarrow. He often worked at night, by the light of an oil lamp.
Cheval spent the first two decades building the outer walls. The Palace is a mix of different styles with inspirations from the Bible to Hindu mythology. Cheval bound the stones together with lime, mortar and cement.
More after the jump.
Last Friday @ Galerie Gallery was the opening of Willem Claassen’s show! Here are some very bad pictures of the evening, better pictures will follow on the website of Galerie Gallery!

Willem & Work.

Tomorrow, Friday the 18th, Galerie Gallery will be showing a brand spanking new work by Willem Claassen. Come and see it!
‘Plans d’evasion’ a very nice show by Michel François at SMAK, Ghent (Belgium).
All the works are connected in one way or another. In an attempt to catch the spirit of this exhibition, some more photos:
Spotted today in De Paviljoens, Almere:

‘I see a landscape’ (2004 – 2009) by Germaine Kruip
In the exhibition ‘Germaine Kruip: Only the title remains’, I think this is one of the few works that I really liked.
There’s a short video of the work below.
Got back from the Irish capital yesterday, here’s some pictures to give you an impression of the town/trip.

The water divides the city-centre into part 1 and part 2.
Studio of Derk Thijs at the RijksakademieOPEN 2009.
A personal favourite at last weekend’s Rijksakademie open studios.
More photo’s:
Pierre Ardouvin
Pierre Ardouvin, ‘Les Quatre Saisons’ (2010)
Pierre Ardouvin is participating in WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?
Read More »