Maurice Meewisse, ‘The woodworks’ (2010)
Meewisse travelled to the woods in the most eastern part of the Netherlands, where he chopped down a lot of trees. The wood harvested in the forest was taken home to produce a variety of construction materials.
“The landscape was a mixture of the strange and the beautiful..”
“Well, I don’t know about the treasure, but I’m sure there is fever there.”
“There was no evidence that man had ever sat foot here before”
Marjolijn Dijkman, stills from ‘Surviving new land’ (2009)
A video shot for Portscapes, a series of art projects along the coast of the Maasvlakte, near Rotterdam.
Dijkman shot the video from a boat circling a newly created island. This video was eventually dubbed with audio excerpts from moviescenes where people are entering land from the water.
Lo-res video here
Below is an interview with Dijkman about the project
Nikki Koole on the keyboard…
Saturday April 3, Galerie Gallery: Opening of the exhibition by Nikki Koole. Pictures of the opening here!
Nikki Koole, ‘Neukmannetjes’ (2005)
An application that generates a simplified version of the game of seduction..
It starts with two babies, one male, one female. Once adults, they wander around the screen until they bump into eachother. They then have intercourse, after which the male leaves and the woman gives birth. Her baby will grow up, and enter the game.. This is repeated until the screen is fully filled with inhabitants, when everything collapses and the process starts over.
Nikki Koole will be presenting new works at Galerie Gallery tomorrow, Saturday the 3rd of April. You are welcome to join our festivities from 18.30hrs.
‘Relocated houses, Brittons yard’ (2009) by Lara Almarcegui.
On the outskirts of the city of Wellington (NZ) there is a weird collection of houses. The houses are moved there from different places and on display, waiting to be sold (housemoving is a common occurance in New Zealand). The result is a ghost-town like street with empty buildings, some in state of disrepair.
Lara Almarcegui traced the roots of each building in this street. For the One Day Sculpture project she created a tour and a catalogue showing the individual stories and memories connected to each house. By inviting people to visit the yard with her one evening, Almarcegui coaxes us to look not simply at what these buildings are but why and how they are here, and in turn to speculate on the processes of change in our environment.
Oskar Dawicki
Oskar Dawicki, ‘I’m sorry’ (2010)
Live in front of the audience Dawicki reads a text explaining he’s sorry for the failed performance he’s giving. Finally, to make up for wasting the audience’s time and the curator’s chance of putting on a good show, he hands out sweets while a taperecorder plays the sound of him crying and once more apologizing.
A performance seen in Rotterdam during Witte de With’s performance cycle ‘Let us compare mythologies’. Pictures by Peter Rakossy.
More fine work by Dawicki downstairs….
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