


Vedovamazzei, ‘Go wherever you want, bring me whatever you wish‘ (2004)


Andrea Fraser, Untitled (2003)
In Untitled, the artist is seen having sex with an unidentified American collector who paid close to $20,000 to participate in this curious 60-minute work of art. Among the requirements for participation in ”Untitled” were that the artist’s potential collaborator be heterosexual, unmarried and, of course, willing to underwrite the transaction.
As the video begins, Fraser enters a hotel room, her hair swept fetchingly to one side. The setting is standard-issue Hip Hotel: the videotape was filmed, using a single overhead camera, in a room Fraser identified as being at the Royalton Hotel in Manhattan, owned by Ian Schrager. The artist is carrying two glasses, white wine in her left hand and what looks like a highball in her right. The collector enters, and then begins a filmed seduction whose detailed contractual terms were worked out in advance by the artist’s gallery.

Ingo Vetter (for the Detroit Tree of Heaven Woodshop), ‘Adaptation Laboratory’ (2004)
Exhaust-air driven greenhouse growing a ‘Tree of Heaven’ (Ailanthus altissima), a rare deciduous tree of tropical origin.

Sjaak Langenberg, ‘Mental expansion of Schiphol Airport’ (1999)
The school canteen of Cals College in the Dutch town of IJsselstein was connected live, at varying times each day, with the announcement headquarters of Amsterdam Airport, Schiphol. This audio art-work was provoked by the link between noise pollution around Schiphol airport and the Lopik broadcasting mast, which causes IJsselstein particular nuisance.

Electroboutique, ‘AirPort’ (2009)
AirPort is placed in a forest, between trees and bushes. The huge departures display shows flight numbers, departures times, gates, airlines and destinations. All information is displayed in real time. A female voice announces changes in the timetable, last calls and other information that is usually announced at airports.

Nickolaj Recke, ‘Tomorrow is today’ (2006)
The video shows two parallel projections, one from each side of the date line, thus conceptually creating a visual space where you can simultaneously perceive two days; a space that does not exists in physical reality and a space where there are principally no todays, just yesterdays and tomorrows.

Tomorrow

Yesterday

A man standing on the dateline/180° Meridian, one leg in today, the other in either yesterday or tomorrow.
More work:

“The landscape was a mixture of the strange and the beautiful..”

“Well, I don’t know about the treasure, but I’m sure there is fever there.”

“There was no evidence that man had ever sat foot here before”
Marjolijn Dijkman, stills from ‘Surviving new land’ (2009)
A video shot for Portscapes, a series of art projects along the coast of the Maasvlakte, near Rotterdam.
Dijkman shot the video from a boat circling a newly created island. This video was eventually dubbed with audio excerpts from moviescenes where people are entering land from the water.
Lo-res video here
Below is an interview with Dijkman about the project


Lenka Clayton, ‘Repairing Lebanon’ (2007)
A series of five digitally repaired images of buildings in Lebanon damaged by the 2006 conflict with Israel
Tue Greenfort
Tue Greenfort, ‘Bio-Wurstwolke – After Dieter Roth 1969′ (2007)
‘Daimlerstraße 38′ (2001)
The animals were allured by a sausage. When the fox bit in the bait, it activated the camera connected by a cord with the sausage. One week later the animals had learned to eat the sausage without being photographed.
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