Tag Archives: street view


Richard Wentworth

Richard Wentworth South East Spain, 2007, 2013

Richard Wentworth, ‘South East Spain, 2007’ (2013)


William Leavitt

William Leavitt, Theme Restaurant, 1986

William Leavitt, ‘Theme Restaurant’ (1986)


Unknown

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The Spirit of Ecstacy on a Rolls Royce protected. Found in South London.


Theo van Doesburg

Theo van Doesburg. Eine Stadt fur den Verkehr, 1929

Theo van Doesburg, ‘Eine Stadt für den Verkehr’ (one city for traffic) (1929)


Saul Steinberg

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‘View of the world from 9th Ave.’, the March 29, 1976 cover for The New Yorker, by Saul Steinberg.


Tercerunquinto

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Tercerunquinto, ‘Ampliación de un área verde’ (2004)

Tercerunquinto placed and extended a grass patch in a parking area in Mexico City.


Henry Wessel

Incidents 001 2012 Henry Wessel born 1942 Purchased with assistance from Artworker's Retirement Society (Tate Americas Foundation) 2014    http://www.tate.org.uk/art/work/P80504

‘Incidents 001’ (2012)

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‘Incidents 002’ & ‘Incidents 003’ (2012)

Incidents 005 2012 Henry Wessel born 1942 Purchased with assistance from Artworker's Retirement Society (Tate Americas Foundation) 2014 http://www.tate.org.uk/art/work/P80508

‘Incidents 005’ (2012)

All works from the ‘Incidents’ series, by Henry Wessel.


Robert Irwin

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Robert Irwin, ‘Untitled (Acrylic Column)’ (1969-2011)

acrylic, 473.7 cm x 22.9 cm x 8.9 cm


Ruth Ewan

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Ruth Ewan, ‘We Could Have Been Anything That We Wanted To Be’, Folkestone Triennial (2011)

On 5 October 1793 the recently formed Republic of France abandoned the Gregorian calendar in favour of an entirely new model, the French Republican Calendar, which became the official calendar of France for 13 years. Each day of the Republican Calendar was made up of 10 hours. Each hour was divided into 100 minutes and each minute into 100 seconds. Inspired by this historical model, Ewan created new clocks and altered existing ones around the town of Folkestone, Kent to tell decimal time.


Walker Evans

walker evans labor anonymous copy

Walker Evans, ‘Labor Anonymous’ (1946)

Walker Evans: the magazine work (2014) by David Campany traces Walker Evans’ work as a jurnalist in avant-garde publications as well as mainstream titles such as Harper’s Bazaar, Vogue, Architectural Forum, Life and Fortune.