Tag Archives: american


Jon Rafman

Jon Rafman O'Keeffe Antechamber, 2013

Jon Rafman, ‘O’Keeffe Antechamber’ (2013)


Sharon Hayes

Sharon Hayes_My Memory Translates Everything into Something Else

Sharon Hayes, ‘My Memory Translates Everything into Something Else’.


Letha Wilson

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Letha Wilson, ‘Headlands Beach Concrete Fold’ (2014)


Henry Wessel

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Henry-Wessel-Night-Walk-No.22-1995-98

Henry-Wessel-Night-Walk-No.30-1997

Works from the ‘Night Walk’ series (1995-1998) by Henry Wessel.


Philip Guston

Philip Guston_The Rest Is For You 1973

Philip Guston, ‘The rest is for you’ (1973)


Chelsea Arts Club

Chelseaartsclub-Dazzle_camouflage_costume_ball

From the Chelsea Art Club’s 1919 Dazzle Ball. Yvonne Gregory by Bertram Park

On March 12, 1919, the Chelsea Arts Club held a costume party, called a Dazzle Ball, at Royal Albert Hall in London. It was inspired by the abstract geometric shapes on camouflaged ships in World War I , a method that was first employed by the British, who called it “dazzle painting” or dazzle camouflage. When the Americans adopted a comparable method, they referred to it by other names, among them “baffle painting,” “jazz painting,” and (rarely) “razzle dazzle.”

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Walt Disney

Disney_4-artists-paint-1-tree

 

‘Four artists paint one tree’, a documentary by the Walt Disney Co.


Gregory Green

Gregory_Green-Be-Selective-as-to-What-You-Accept-as-Truth-1987

Gregory Green, ‘Be Selective as to What You Accept as Truth’ (1987)

Poster edition.


William Pope.L

William-Pope.L,-The-Great-White-Way,-22-miles,-9-years,-1-street-2001ongoingweb

William-Pope.L,-The-Great-White-Way,-22-miles,-9-years,-1-street-2001web

William Pope.L, ‘The Great White Way, 22 miles, 9 years, 1 street’ (2001-ongoing). From the larger series ‘eRacism’.

People who are forced to give up their verticality are prey to all kinds of dangers. But, let us imagine a person who has a job, possesses the means to remain vertical, but chooses momentarily to give up that verticality? To undergo that threat to his/her bodily/spiritual categories—that person would learn something. I did… Now I crawl to remember. – William Pope.L


E.J. Pace

A Fundamentalist cartoon portraying Modernism as the descent from Christianity to atheism, first published in 1922 and then used in Seven Questions in Dispute by William Jennings Bryan

‘The descent of the Modernists’ (1922) by E.J. Pace.

A Fundamentalist Christian cartoon portraying Modernism as the descent from Christianity to atheism, first published in 1922 and then used in the book ‘Seven Questions in Dispute’ by William Jennings Bryan.