
Vuk Vidor, ‘Art history scarf’ (2004-2009)
95cm x 95cm 100% Georgette Silk Scarf with hand rolled edges

Vuk Vidor, ‘Art history scarf’ (2004-2009)
95cm x 95cm 100% Georgette Silk Scarf with hand rolled edges
Nasan Tur, ‘Passport’ (2000)
Applying for a German passport, Nasan Tur let his mustache grow over several months, fitting the cliche of the Turk in Germany.
This small alteration in his appearance led to a complete change in perception of and reaction to him from the outside world in his daily life. In the circles in which he normally moved he was suddenly no longer welcome, and from a female point of view unsexy, whereas he was greeted with “Salem Aleykum” when walking past Turkish cafés and reaped enthusiastic compliments from aunts and uncles.


Gregor Schneider, ‘Die Familie Schneider’ (2004)
Die Familie Schneider took place in neighbouring, identical houses – 14 and 16 Walden Street, London. The houses were open by appointment only and visitors – always two at a time – collected the front door keys from a small office on the same street. One visitor entered 14 Walden Street alone, whilst the other entered the neighbouring house.
In each was an identical woman, perpetually washing the same dishes; in each was a child, or a child-like person – wrapped placidly within a plastic bag; and in each was a man in a shower, engaged in a stark and lonely act of masturbation. After a period of ten minutes, the visitors emerged, exchanged keys and entered the second house.
At no time was there ever more than one visitor in each house.