Tag Archives: floor


Gal Weinstein

galweinsteinHuleh Valley, 2005-1

galweinsteinHuleh Valley, 2005-2 carved mdf detail

Gal Weinstein, ‘Huleh Valley’ (2005)

Carved MDF


Adam Parker Smith

Sunset Now«, 2008 by Adam Parker Smith

‘Sunset Now’ (2008) by Adam Parker Smith


Ryan Gander

‘A sheet of paper on which I was about to draw, as it slipped from my table and fell to the floor.’ (2008) by Ryan Gander.


Antony Gormley

Antony Gormley, ‘Bread Line’ (1979)

1 x 1 500 x 3 cm


Yorgos Sapountzis

Yorgos Sapountzis, ‘Fast Cast’ and ‘Die Welt in Teilen (Office)’ (2011)

Yorgos Sapountzis takes the recognized dimensions of paving stones found in the city of Berlin and uses them to create a measuring device (a grid of of aluminium poles and fabric) to measure all floor areas of the gallery. These grids (colour coded for each room) are then collapsed and hung from the walls.


Lionel Biermann

Lionel Biermann, ‘Bottles’ (2010)

Each piece has been molded on a broken bottle and then extracted in triplicate in a translucent resin. The three lots of bottles made of identical pieces are placed on the floor in the exhibition space. Polyester resin.


Thomas van Linge

‘Camus and Sisyphus Walk Into a Bar…’ (2011) by Thomas van Linge.

An installation consisting out of an oddly shaped tilted grey surface and a radio controllable rock.


Hans Haacke

‘Germania’ (1993) Hans Haacke‘s contribution to the 1993 Venice Biennale.

“I learned that the pavillion’s present appearance was tied to Hitler’s rise to power in 1933. As part of an excursion to Venice for a meeting with his comrade Benito Mussolini, the man who had not succeeded as a painter in Vienna, paid a visit to the Biennale and the German pavilion. Hitler did not like what he saw. As a consequence, by 1937 an exhibition titled Degenerate Art opened in Munich, and plans for the re-styling of the pavilion in Venice were approved. A new national corporate identity was in the making – and so were preparations for the expansion of Germany beyond its borders and the introduction of a deadly programme of ethnic cleansing.”

(Hans Haacke in an essay for Tate Papers)


Jeff Mair

Jeff Mair, ‘Narrative No. 1 (Jumper)’ (2011)


Carl Andre

Carl Andre‘s ‘Outer Piece’ (1983)