Ivan Argote, ‘More Formal’ (2009)
By dd
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Posted in Composition
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Also tagged action, bolivar, country, DIY, formal, fuckem, fun, grafitti, intervention, ivan argote, muur, patriotic, propaganda, public space, romance, street view, transform, wall, white
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Untitled (after Donald Judd) by Simon Martin
Michael Dumontier, ‘Sock’ (2013)
powder-coated cast iron
By dd
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Posted in Composition
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Also tagged Canada, cast, christmas, edition, fun, gelly, iron, Michael Dumontier, mystery, sculpture, shape, sock, trash, unknown
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‘Shoot Don’t Shoot’ (2012) by William E. Jones.
By sk
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Posted in Composition
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Also tagged black, don't, fire, gun, man, officer, police, shoot, shoot don't shoot, street, William E Jones
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Tauba Auerbach, ‘Stacking (YES)’ (2009)
By dd
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Posted in Composition
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Also tagged action, c print, Composition, DIY, fingers, hands, human, photograph, say, skin, stacking, talking, Tauba Auerbach, yes
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‘2 Minutes 33 Seconds (Red)’ (1962) by Billy Apple.
The time it took Apple to eat and recast the apple after each munching session.
Mike Nelson, ‘Amnesiac Beach Fire’ (2007)
By dd
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Posted in Composition
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Also tagged amnesia, beach, burn, fire, flame, floor, fuckem, fun, image, Mike Nelson, nature, New York, primitive, romance, sculpture, the wild, trash, twig, wood
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Niek Kemps, ‘Red Herring’ (1991)
Wood and felt.
By mh
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Posted in Abstraction
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Also tagged clue, distracting, felt, herring, language, marks, misleading, niek kemps, parentheses, punctuation, sculpture, silence, text, wall, wood
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Thierry Bontridder, ‘Trois croissants et un arc’ (2000)
In Scheutbospark, Brussels.
By dd
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Posted in Composition
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Also tagged Andy Warhol, banana, brussels, found, fun, grass, light, nature, parc, public art, public space, relational aesthetics, romance, sculpture, sky, sun, the wild, Thierry Bontridder, trash, ugly
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Warren Neidich
Warren Neidich, ‘Book exchange’ (2010)
Neidich designed this rotating book shelf to hold all the books Sarah Palin supposedly wanted censored from her local library in Wasilla Alaska. All these books were bought off the internet and placed on the shelf. The members of the community were sent an invite to come to the gallery carrying a red book which they were asked to exchange for one of the shelved books. When all the books have been exchanged for and the work becomes a red monochrome the work is completed.