Tag Archives: relational aesthetics


Jan Huijben

jan-man-bar2

jan-man-bar1

“I was a bartender for one night in my life when the restaurant where I worked as a dishwasher needed some extra hands for christmas night.

I had to divide my attention between the two recently divorced men attending my bar. one was over from the UK to visit his children, the other had just been kicked out by his wife. they both wanted to share their story so I only had half an ear for each of them.

For the event ‘Barwars’ manifestion at Extrapool, Nijmegen, I built a bar in a closet and made it really small, so that I could focus my entire attention on the needs of one customer at a time.”

‘One-man bar’ (2005) by Jan Huijben.


Andreas Bauer, Christoph Meier, Robert Schwarz and Lukas Stopczynski

Andreas Bauer, Christoph Meier, Robert Schwarz and Lukas Stopczynski-LOS-BAR_INSTALL_01_A4

Andreas Bauer, Christoph Meier, Robert Schwarz and Lukas Stopczynski-LOS-BAR_INSTALL_04_A4

Andreas Bauer, Christoph Meier, Robert Schwarz and Lukas Stopczynski-LOS-BAR_INSTALL_08_A4

Andreas Bauer, Christoph Meier, Robert Schwarz and Lukas Stopczynski-LOS-BAR-2015-03_Kate-Levant

Andreas Bauer, Christoph Meier, Robert Schwarz and Lukas Stopczynski, ‘Los Bar’ (2015)

Artists and architects Andreas Bauer, Christoph Meier, Robert Schwarz and Lukas Stopczynski, made a scale replica of Adolf Loos’s famous Loos Bar in Vienna, made from MDF and cardboard.

During its exhibition at the MAK Center in Los Angeles, it is in use as a venue for performances, discussions and parties.


Matteo Rubbi

Matteo-Rubbi_Muro-Wall-2008

Matteo Rubbi, ‘Muro (Wall)’ (2008)


Franz West

Franz West — Table from-West Cafe-documenta X

Franz West, ‘Table from West Café’ at Documenta X (1997)


Jan Huijben

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Flyer made by Jan Huijben, inspired by the xeroxed ads for African witch doctors that he often found in his mailbox. (2005)


Heidrun Holzfeind

heidrunholzfeind- day bed (for Elka) 2014-2

heidrunholzfeind- day bed (for Elka) 2014

Heidrun Holzfeind, ‘Day bed (for Elka)’ (2014)


Özlem Altin

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Özlem Altin, ‘Untitled (Mädchen im Baum)’ (2013)

photo prints, 122 x 190 cm


Riley Harmon

rileyharmon_What-It-Is-Without-the-Hand-That-Wields-It-2008

Riley Harmon, ‘What it is without the hand that wields it’ (2008)

As gamers die in a public video game server of a modified version of Counter-strike, a popular online first person shooter, the electronic solenoid valves dispense a small amount of fake blood. The trails left down the wall create a physical manifestation of virtual kills, bridging the two realities. The title is inspired by the Telefon Tel Aviv song of the same name.


Bruce Nauman

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Bruce Nauman, ‘Green Light Corridor’ (1970)


Heike Mutter & Ulrich Genth

Heike Mutter & Ulrich Genth 2009 - 2011-2

Heike Mutter & Ulrich Genth 2009 - 2011

Heike Mutter & Ulrich Genth, ‘Magic Mountain’ (2009-2011)