Tag Archives: decomment


Job Koelewijn

jobkoelewijn-Untitled (Be More Specific)2004

jobkoelewijn-Untitled (Be More Specific)2004-1

Job Koelewijn, ‘Be more specific’ (2003)

Wood, rubber and Vicks VapoRub.


William Pope.L

William-Pope.L,-The-Great-White-Way,-22-miles,-9-years,-1-street-2001ongoingweb

William-Pope.L,-The-Great-White-Way,-22-miles,-9-years,-1-street-2001web

William Pope.L, ‘The Great White Way, 22 miles, 9 years, 1 street’ (2001-ongoing). From the larger series ‘eRacism’.

People who are forced to give up their verticality are prey to all kinds of dangers. But, let us imagine a person who has a job, possesses the means to remain vertical, but chooses momentarily to give up that verticality? To undergo that threat to his/her bodily/spiritual categories—that person would learn something. I did… Now I crawl to remember. – William Pope.L


Chris Evans

Chris Evans, New Rules 5, 2011

Chris Evans, ‘New Rules 5’ (2011)


E.J. Pace

A Fundamentalist cartoon portraying Modernism as the descent from Christianity to atheism, first published in 1922 and then used in Seven Questions in Dispute by William Jennings Bryan

‘The descent of the Modernists’ (1922) by E.J. Pace.

A Fundamentalist Christian cartoon portraying Modernism as the descent from Christianity to atheism, first published in 1922 and then used in the book ‘Seven Questions in Dispute’ by William Jennings Bryan.


Fred Wilson

Fred Wilson, Guarded View, 1991

Fred Wilson, ‘Guarded View’ (1991)

Four mannequins with museum guard uniforms.


C. Winter

shaker_dance_ridicule

‘Shaker Dance’ by C. Winter


Vaast Colson

vaast_colson-corkpops-1

vaast_colson-corkpops-2

vaast_colson_corkpops-3

‘One hundred corkpops to celebrate the crisis and Chouchou Colson’s nine year campaign Display’, by Vaast Colson


Lili Reynaud-Dewar

lilireynauddewar

by Lili Reynaud-Dewar.


Stuart Ringholt

stuart ringholt_still from this person is dead

Still from Stuart Ringholt’s ‘This person is dead’


Marjolijn Dijkman

podium-MarjolijnDijkman

‘Liberate the Madness’ (2007) by Marjolijn Dijkman.

Temporary stage in front of an existing line of graffiti, that reads ‘liberate the madness’ in dutch.