Tag Archives: wall


Christopher Steinweber

Christopher Steinweber, from ‘photobooth self portraits’ (2009)


David F. Mutiloa, Alvaro Icaza, Gloria Fernandez, Joaquín Reyes

‘Transacción’ (2010) by David F. MutiloaAlvaro Icaza, Gloria Fernandez and Joaquín Reyes.

The prize money of a government award was turned into 1 euro cents and offered back to the public during an exhibition.


Jack Strange

Jack Strange‘s ‘Spinning beach ball of death’

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Isabelle Hayeur

Isabelle Hayeur, ‘Fire with fire’ (2010)


Andreas Templin

A 5 minute excerpt from ‘As if to nothing’ (2008) by Andreas Templin

The video ‘as if to nothing’ is comprised of a selection of statistical data of the earth and its population. This data, created by various governmental and intergovernmental sources and displayed in a specific and subjective interdependency, is combined with the highly dramatic second move of Bruckner’s 7th symphony which is being looped for the screening. The video-installation is in fact a computer-programme which utilizes the internal clock of the computer to calculate the statistical algorithms, which are updated on a yearly basis.


Leopold Kessler

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Leopold Kessler, ‘Bistabilised door’ (2010)

Kessler changed the mechanics on the entrance to Lombard-Freid Projects in New York so that the door opened in a different direction each time it was used.


Josh Shaddock

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‘Object’ (2004) by Josh Shaddock


Joost Halbertsma

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‘Life’ (2005) and

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‘Humans’ (2009) by Joost Halbertsma


Christian S.

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‘Verloren und gefunden’ (‘Lost and found’) at Kunstraum Benjamin Richard Leipzig.

The exhibition is described as ‘a fragmented diary through search-posters for lost cats, dogs and other loved ones’. The room was filled with these posters that Christian S. has collected for years and complemented with reports of the correspondance that S. had with the posters’ authors.

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Joachim Koester

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‘To navigate, in a genuine way, in the unknown necessitates an attitude of daring, not one of recklessness (movements generated from the Magical Passes of Carlos Castaneda)’ (2009) by Joachim Koester

Through the choreography of drawings and bodily movements, Koester traces methods intended to access or express physical sensation beyond cognition. In an ambiguous dark space, a mime performs the exercises described by the infamous anthropologist Carlos Casteneda in his 1998 book Magical Passes. According to Casteneda, these were secret shamanic gestures meant to enhance one’s ability to navigate “the dark sea of awareness”.

At the Kestner Gesellschaft in Hannover. Fullscreen for slightly better view.