‘See you all’, by Koudlam. Video by Cyprien Gaillard.
Soldat Eugène Bouret, Soldat Ernest François Macken, Soldat Benoît Manillier, Soldat Francisque Pitiot, Soldat Claudius Urbain, Soldat Francisque Jean Aimé Ducarre, 06:30 / 7.9.1914 Soldat Jules Berger, Soldat Gilbert Gathier, Soldat Fernand Louis Inclair, 07:45 / 12.9.1914 Vanémont, Vosges, Lorraine
Soldat Alphonse Brosse, Soldat Jean Boursaud, 0:700 / 10.10.1914 Ambleny, Aisne, Picardie
Private Joseph Byers, Private Andrew Evans, Time unknown / 6.2.1915 Private George E. Collins, 07:30 / 15.2.1915 Six Farm, Loker, West-Vlaanderen
From the series ‘Shot at Dawn’, by Chloe Dewe Mathews.
‘Shot at Dawn’ focuses on the sites at which British, French and Belgian troops were executed for cowardice and desertion between 1914 and 1918. The series comprises twenty-three photographs, each depicting a location at which the soldiers were shot. These executions would usually take place in the early morning, before the battle started. All the photographs were taken as close as possible to the precise time at which the executions occurred.
Since 1963, more than eight hundred spacecraft have been launched into geosynchronous orbit, forming a man-made ring of satellites around the Earth. These satellites are destined to become the longest-lasting artifacts of human civilization, quietly floating through space long after every trace of humanity has disappeared from the planet.
Trevor Paglen’s The Last Pictures is a project that marks one of these spacecraft with a visual record of our contemporary historical moment. In 2012, the communications satellite EchoStar XVI was launched into geostationary orbit with the disc mounted to its anti-earth deck. While the satellite’s broadcast images are as fleeting as the light-speed radio waves they travel on, The Last Pictures will remain in outer space slowly circling the Earth until the Earth itself is no more.
The Last Pictures Artifact.
Some of the images on the disc.
EchoStar XVI launch in Baikonur, Kazakhstan, November 21st 2012.
Trevor Paglen, ‘The Last Pictures’ (2012)