‘Walking without trousers’ (1999) by Steven Pippin.
From the series ‘Laundromat Locomotion’.
‘A man being hit on the head by a falling flowerpot in Rome Via del Nazzareno’ (c.1890) by an unknown artist
Seen at the Wellcome Collection, London
Gregor Schneider, ‘Die Familie Schneider’ (2004)
Die Familie Schneider took place in neighbouring, identical houses – 14 and 16 Walden Street, London. The houses were open by appointment only and visitors – always two at a time – collected the front door keys from a small office on the same street. One visitor entered 14 Walden Street alone, whilst the other entered the neighbouring house.
In each was an identical woman, perpetually washing the same dishes; in each was a child, or a child-like person – wrapped placidly within a plastic bag; and in each was a man in a shower, engaged in a stark and lonely act of masturbation. After a period of ten minutes, the visitors emerged, exchanged keys and entered the second house.
At no time was there ever more than one visitor in each house.
‘Suite Vénitienne’ (1980) by Sophie Calle
‘For months I followed strangers in the street. For the pleasure of following them, not because they particularly interested me. I photographed them without their knowledge, took note of their movements, then finally lost sight of them and forgot them.
At the end of January 1980, on the streets of Paris, I followed a man whom I lost sight of a few minutes later in the crowd. That very evening, by chance, he was introduced to me at an opening. During the course of our conversation, he told me he was planning an imminent trip to Venice.’
Suddenly, the narrator decided to join him. The next morning, armed with a camera and a blonde wig, she took the train to Venice, where she discovered where he was staying, then shadowed him, taking photographs where she could.
Cezary Bodzianowski, ‘Black Man Listening to Black Music on a Black Background’ (1996)