Tag Archives: DIY


Sol Lewitt

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walldrawing797 

Sol Lewitt, ‘Wall Drawing #797’

Instructions: The first drafter has a black marker and makes an irregular horizontal line near the top of the wall. Then the second drafter tries to copy it (without touching it) using a red marker. The third drafter does the same, using a yellow marker. The fourth drafter does the same using a blue marker. Then the second drafter followed by the third and fourth copies the last line drawn until the bottom of the wall is reached.


Nicolas Feldmeyer

Untitled (Woven Portico) (2012), by Nicolas Feldmeyer

Nicolas Feldmeyer, Untitled (Woven Portico) (2012)


Roman Ondák

roman ondak-Shared Floor, 1996

Roman Ondák, ‘Shared Floor’ (1996)

A stretch of parquet flooring and electrical sockets that Ondák excised from an apartment.


Derek Paul Boyle

grease spot from rubbing chest against wall (2012) by Derek Paul Boyle

‘Grease spot from rubbing chest against wall’ (2012) by Derek Paul Boyle


Tom Friedman

Friedman (1)

Tom Friedman, ‘Untitled’, first made in 1989
Crest Tartar Control Gel Toothpaste


Leah Capaldi

LeahCapaldi_Allure_performance, perfume.  I spayed myself with ¾ of a bottle of perfume and travelled around London on public transport.

Leah Capaldi, ‘Allure’

Capaldi sprayed herself with ¾ of a bottle of perfume and travelled around London on public transport.


Lorelinde Verhees

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Lorelinde Verhees, untitled (2013)

cloth, rope, incision


Nathan Gray

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‘Theorist Training Camp/Practice Piece Part 0’ (2011) by Nathan Gray.


Cildo Meireles

cildo_meireles_Southern Cross (1969-70) oak and pine cube

Cildo Meireles, ‘Southern Cross’ (1969-1970)

Oak and pine cube. Meireles has explained:

Southern Cross was initially conceived as a way of drawing attention, through the issue of scale, to a very important problem, the oversimplification imposed by the proselytising missionaries – essentially the Jesuits – on the cosmogony of the Tupí Indians.

The white culture reduced an indigenous divinity to the god of thunder when in reality their system of belief was a much more complex, poetic and concrete matter, emerging through their mediation of their sacred trees, oak and pine. Through the rubbing together of these two timbers the divinity would manifest its presence.


André Malraux

Malraux Musée Imaginaire 1947

André Malraux, ‘le Musée imaginaire’ (The imaginary museum)

Le Musée imaginaire is an archive that Malraux began in 1947. His “museum without walls,” as he described it, was a montage of photographs of art from all around the globe and throughout history, stretching from Roman sculptures to Impressionist painting.