Letter from cartoonist Alfred Joseph Frueh to his wife Giuliette Fanciulli, sent on Jan. 10th, 1913.
The letter opens up to form a model of a gallery hung with paintings. Frueh made this model to inform his wife about the details of a specific art gallery before her visit.
Collection of the Smithsonian Archives of American Art.
Sol Lewitt, ‘Wall Drawing #797’
Instructions: The first drafter has a black marker and makes an irregular horizontal line near the top of the wall. Then the second drafter tries to copy it (without touching it) using a red marker. The third drafter does the same, using a yellow marker. The fourth drafter does the same using a blue marker. Then the second drafter followed by the third and fourth copies the last line drawn until the bottom of the wall is reached.
‘Setting a Good Corner (Allegory & Metaphor)’ (1999) by Bruce Nauman.
The video Setting a Good Corner (Allegory and Metaphor) (1999) shows Bruce Nauman building a corner to stretch a fence and hang a gate in his ranch in New Mexico.
‘Body Pressure’, a 1974 performance piece by Bruce Nauman.
The performer is instructed (through a poster hung on the wall) to press himself against the wall in various positions. The poster is also a free edition.
The text from this poster is below.
Body Pressure
Press as much of the front surface of
your body (palms in or out, left or right cheek)
against the wall as possible.
Press very hard and concentrate.
Form an image of yourself (suppose you
had just stepped forward) on the
opposite side of the wall pressing
back against the wall very hard.
Press very hard and concentrate on the image pressing very hard.
(the image of pressing very hard)
press your front surface and back surface
toward each other and begin to ignore or
block the thickness of the wall. (remove
the wall)
Think how various parts of your body
press against the wall; which parts
touch and which do not.
Consider the parts of your back which
press against the wall; press hard and
feel how the front and back of your
body press together.
Concentrate on the tension in the muscles,
pain where bones meet, fleshy deformations that occur under pressure; consider
body hair, perspiration, odors (smells).
This may become a very erotic exercise.
