Tag Archives: relational aesthetics


Polder Cup

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Last Saturday the art-/soccer-event Polder Cup was held in the ‘polders’ of Ottoland, near Rotterdam. Ottoland was an open event conceived by Spanish artist Maider Lopez, on invitation of Witte de With and SKOR.

Polder Cup was a soccer tournament in the middle of the polders of Ottoland, which meant that the (bumpy) field was crossed by trenches with water that the players were not allowed to cross. This made the game a little more unpredictable than usual.

It was a nice day, reminiscing of high school sporting day events and village-parties…

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Christoph Schlingensief

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Christoph Schlingensief, ‘The last supper’

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‘Little shrine’

The trailer of a documentary on Schlingensief’s action ‘Auslaender raus!’

Christoph Schlingensief died last Saturday, the 21st of August, at the age of 49.

Watch the documentary “Deutschland, deine Kuenstler: Christoph Schlingensief” below.

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Simon Faithfull

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Simon Faithfull, ‘Accident book’ (2009)

Accident Book is an intervention in eight Accident and Emergency wards across London and Cambridge. The book tells the story of 33 accidents that befell the writer over a period of 42 years.

From June 2009 onwards, people waiting for treatment, prognoses or friends, began to discover books lying amongst the copies of old magazines in these Accident and Emergency wards. The 500 copies of Accident Book distributed through these eight hospitals are each individually numbered and the finders of these books are encouraged to take them home but also to register them here.

Two examples:

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Sjaak Langenberg

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Sjaak Langenberg, ‘Mental expansion of Schiphol Airport’ (1999)

The school canteen of Cals College in the Dutch town of IJsselstein was connected live, at varying times each day, with the announcement headquarters of Amsterdam Airport, Schiphol. This audio art-work was provoked by the link between noise pollution around Schiphol airport and the Lopik broadcasting mast, which causes IJsselstein particular nuisance.


Goshka Macuga’s ‘(On) The nature of the Beast’

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Goshka Macuga, ‘The nature of the beast’ (2009)

Macuga was commisioned to make new work by the Whitechapel Gallery in London, where Picasso’s ‘Guernica’ had once been exhibited. Inspired by this historic fact, Macuga made a replica of the Guernica tapestry that Nelson Rockefeller commisioned in 1955.  Some thirty years later this was lent to the United Nations Headquarters in New York where it has hung ever since outside the Security Council. Offered as a deterrent to war, in 2003 the tapestry was covered by a blue curtain in front of which Colin Powell delivered his fateful speech on weapons of mass destruction in Iraq.

Macuga’s installation ‘The nature of the beast’ in the Whitechapel Gallery consisted of the Guernica’s replica, as well as a round meeting table (a symbol of democracy) in front of it. The room had been designed to accommodate meetings, discussions and debates around the central table, with Guernica once again as a backdrop. Groups were invited to organise these events free of charge during opening hours.

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Mircea Cantor

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Mircea Cantor, ‘Born to be burnt’ (2009)

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Nathan Coley

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Nathan Coley, ‘We must cultivate our garden’ (2007)

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Mandla Reuter, ‘Coppice’

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Mandla Reuter, ‘Coppice’ (2002)

An intervention that caused people to have to find a different way into the room.


Opening Willem Claassen @ Galerie Gallery

Last Friday @ Galerie Gallery was the opening of Willem Claassen‘s show! Here are some very bad pictures of the evening, better pictures will follow on the website of Galerie Gallery!

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Willem & Work.

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Willem Claassen @ Galerie Gallery

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Tomorrow, Friday the 18th, Galerie Gallery will be showing a brand spanking new work by Willem Claassen. Come and see it!