Roeland Tweelinckx, ‘Willful paving’ (2012)
five times 3.5 x 20 x 20 cm / five pavement stones, cement and glue & environment
Roeland Tweelinckx, ‘Willful paving’ (2012)
five times 3.5 x 20 x 20 cm / five pavement stones, cement and glue & environment
André Malraux, ‘le Musée imaginaire’ (The imaginary museum)
Le Musée imaginaire is an archive that Malraux began in 1947. His “museum without walls,” as he described it, was a montage of photographs of art from all around the globe and throughout history, stretching from Roman sculptures to Impressionist painting.
Cecilie Bjørgås Jordheim, ‘POLARSTAR’ (2009)
‘And it curled up and broke on the shore’, editing table, 16mm film loop and EKG; Still Image from loop on the editing table screen.
Stijn van Dorpe, ‘Clio’ (2009)
Together with a teacher and the students of a local technical secondary school, Van Dorpe worked towards an image that translated the power and energy of both the low budget exhibition initiative and the youngsters. A black Renault Clio was turned upside down and the necessary adjustments were made to enable the car to keep on running, however without moving forward. During a performance at the opening night of the exhibition, the physical power that the car developed was shown as a dynamic spectacle – accompanied by a drummer and T-shirts printed with technical details of the car.
‘Poème symphonique’ (1962) by György Ligeti
A composition for 100 metronomes, written during his brief acquaintance with the Fluxus movement.