
Jannis Kounellis, ‘Untitled’ (1969)
iron scales, ground coffee


Edward Krasinski‘s studio in Warsaw, Poland.
In the late 60s blue Scotch tape became Krasinski’s medium and trademark material. The thin blue line running at the height of 130 cm, first pasted around trees and pigsty walls in the village of Zalesie near Warsaw, soon stretched across gallery windows as well as his own living/ working space.


Jens Haaning, ‘Turkish Mercedes’ (1996)
A Mercedes Benz with Turkish license plates and loudspeakers on the roof, broadcasting jokes in Turkish in Kreutzberg, Berlin, an area dominated by Turkish immigrants.