Installation view of Anton Henning‘s show ‘Anton Henning’ (2007) at SMAK, Ghent.
By mh
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Posted in Composition
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Also tagged Anton Henning, architecture, Art, chairs, collection, color, cynicism, decoration, design, DIY, eclectic, fuckem, fun, furniture, germany, installation, interior, joke, light, painting, pastel, pleasant, romance, room, sculpture, space, table, total, unknown, wall
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Hans Richter, ‘Houses’ (1917)
By mh
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Posted in Composition
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Also tagged architecture, avant-garde, black, collection, design, DIY, drawing, germany, graphic, hans richter, houses, ink, modernism, negative space, november, painting, paper, positive space, public space, romance, roofs, shapes, unknown, white
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Carlito Carvalhosa, ‘Precaucao de contato’ at Gallery Nara Roesler Sao Paulo (2014)
By mh
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Posted in Composition
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Also tagged action, architecture, beams, brasilian, Carlito Carvalhosa, collection, DIY, fuckem, gallery, holes, hung, installation, jamming, opening, piercing, sculpture, space, the wild, through, trees, trunks, violent, wooden
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Bruce Nauman, ‘Green Light Corridor’ (1970)
By mh
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Posted in Abstraction
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Also tagged action, american, architecture, body, bruce nauman, contact, corridor, DIY, fluorescent, green, human, light, narrow, performance, physical, relational aesthetics, romance, scale, strip, touch, tubelights, tubes, unknown, USA, wall, wooden
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A change in military thinking is taking place these very days, in which the military understands that future wars will take place in cities. If in the past symmetrical warfare was conducted by state militaries in the open fields, today militaries are fighting enclaves of resistance that withdraw ever deeper into the density of the urban fabric. ‘Walking through walls’ is the military tactic of tearing down holes in the façades of people’s homes (and the walls between rooms) in order to expand the battle field from the public to the private space.
Transcript of lecture by Eyal Weizman here, essay here.
By mh
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Posted in Abstraction
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Also tagged action, architecture, armed forces, army, Art, battle field, cities, city, DIY, expanding, eyal weizman, fabric, façades, fuckem, holes, homes, israeli, military, muur, people, politics, private, public, public space, rooms, the wild, trash, unknown, urban, walking, wall, wars
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A visitor looks out over the financial center of London from the Leadenhall Building, one of the City’s newest skyscrapers, by Will Oliver.
By mh
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Posted in Composition
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Also tagged architecture, building, capital, center, centre, city, collection, culture, england, finance, financial, fuckem, horizon, leadenhall, lodnon, london, money, public space, romance, skyline, skyscrapers, streets, view, violence, Will Oliver
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Willem de Rooij, ‘Route langs 18 hoeken’ (Route Along 18 Corners) (1993)
A brochure setting out a route along 18 corners of galleries and exhibition spaces on the ground floor of the Stedelijk Museum building. The work was made before the building was renovated from 2004 – 2012 and depicts floors and walls that have since changed.
By mh
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Posted in Abstraction
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Also tagged amsterdam, architecture, building, collection, corners, DIY, empty, exhibition space, explore, found, galleries, history, perimeters, position, renovation, route langs 18 hoeken, stedelijk museum, willem de rooij
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Virginia Overton, Untitled (ladder) (2009)
By mh
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Posted in Composition
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Also tagged action, architecture, between, DIY, environment, found, fuckem, hardcore, hardware, installation, ladder, objet trouve, readymade, sculpture, space, stuck, the wild, trash, untitled, virginia overton
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From the series ‘Most wanted men/Bruxelles’ (2006) by Pierre Bismuth
By mh
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Posted in Composition
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Also tagged action, art world, belgium, brussels, car, collection, dan flavin, DIY, Ed Ruscha, found, fuckem, fun, graffiti, inside, intervention, jorge pardo, light, most wanted men, outside, performance, photograph, Pierre Bismuth, public art, public space, snow, spray paint, street art, text, the wild, trash, unknown, wall
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Germaine Kruip, ‘Once it was today’ (2006)
The Red Salon in the Van Loon Museum, Amsterdam, is cast in a its own colour negative (green) by using a still video projection; all colour is thereby extracted from a section of the room, turning the space into a black and white version of itself.
By mh
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Posted in Composition
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Also tagged black, colour, extraction, furniture, germaine kruip, green, installation, interior, light, museum, negative, red, room, salon, space, van loon, white
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