Werner Reiterer, ‘Life counts Death’ (2008)
Wood, loudspeaker, electronics.
Marcel Broodthaers, ‘Minuit’ (1969)
Part of a series entitled ‘Industrial Poems,’ ‘Minuit’ is made of a thermally shaped plastic sheet, making it possible to reproduce infinite copies of the same thing.
Ruth Ewan, ‘We Could Have Been Anything That We Wanted To Be’, Folkestone Triennial (2011)
On 5 October 1793 the recently formed Republic of France abandoned the Gregorian calendar in favour of an entirely new model, the French Republican Calendar, which became the official calendar of France for 13 years. Each day of the Republican Calendar was made up of 10 hours. Each hour was divided into 100 minutes and each minute into 100 seconds. Inspired by this historical model, Ewan created new clocks and altered existing ones around the town of Folkestone, Kent to tell decimal time.
Soldat Eugène Bouret, Soldat Ernest François Macken, Soldat Benoît Manillier, Soldat Francisque Pitiot, Soldat Claudius Urbain, Soldat Francisque Jean Aimé Ducarre, 06:30 / 7.9.1914 Soldat Jules Berger, Soldat Gilbert Gathier, Soldat Fernand Louis Inclair, 07:45 / 12.9.1914 Vanémont, Vosges, Lorraine
Soldat Alphonse Brosse, Soldat Jean Boursaud, 0:700 / 10.10.1914 Ambleny, Aisne, Picardie
Private Joseph Byers, Private Andrew Evans, Time unknown / 6.2.1915 Private George E. Collins, 07:30 / 15.2.1915 Six Farm, Loker, West-Vlaanderen
From the series ‘Shot at Dawn’, by Chloe Dewe Mathews.
‘Shot at Dawn’ focuses on the sites at which British, French and Belgian troops were executed for cowardice and desertion between 1914 and 1918. The series comprises twenty-three photographs, each depicting a location at which the soldiers were shot. These executions would usually take place in the early morning, before the battle started. All the photographs were taken as close as possible to the precise time at which the executions occurred.