
David Shrigley, ‘Untitled (I am glad)’ (2013)
By mh
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Posted in Composition
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Also tagged cartoon, crude, David Shrigley, DIY, drawing, fuckem, fun, green, humour, joke, painting, scotland, simple, stick man, text, walking
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“I was a bartender for one night in my life when the restaurant where I worked as a dishwasher needed some extra hands for christmas night.
I had to divide my attention between the two recently divorced men attending my bar. one was over from the UK to visit his children, the other had just been kicked out by his wife. they both wanted to share their story so I only had half an ear for each of them.
For the event ‘Barwars’ manifestion at Extrapool, Nijmegen, I built a bar in a closet and made it really small, so that I could focus my entire attention on the needs of one customer at a time.”
‘One-man bar’ (2005) by Jan Huijben.
By mh
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Posted in Composition
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Also tagged action, alcohol, architecture, attention, barwars, DIY, drinking, dutch, environment, extrapool, focus, fuckem, fun, installation, jan huijben, man, needs, netherlands, nijmegen, one, performance, personal, pub, relational aesthetics, romance, small, social, woman
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Richard Hughes, ‘Jimmy, Jimmy’ (2010)
By mh
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Posted in Composition
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Also tagged action, architecture, destroyed, destruction, DIY, england, floorplan, fuckem, home, house, installation, jimmy, life, muur, people, Richard Hughes, ruins, sculpture, space, the wild, trash, uk, unknown, wall
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By dd
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Posted in Composition
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Also tagged 90s, artist, autograph, automatic, brush stroke, dip, drip, germany, hair, japanese paper, painting machine, poetry, portrait, Rosemarie Trockel, sign, visual language
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Erich Consemüller, woman in B3 club chair by Marcel Breuer wearing a mask by Oskar Schlemmer and a dress in fabric designed by Lis Beyer, 1926.
By mh
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Posted in Composition
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Also tagged architecture, b3 club chair, bauhaus, clothing, collection, design, disguise, DIY, dress, erich consemüller, fabric, furniture, germany, house, lis beyer, marcel breuer, mask, objectifying, objects, oskar schlemmer, performance, photography, sculpture, woman
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‘Leavings #1’

‘Leavings #4’

‘Leavings #7’ by Sebastian Stumpf
By mh
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Posted in Composition
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Also tagged action, body, boundaries, collection, dive, DIY, falls, flips, fuckem, fun, germany, jumps, land, leavings, leipzig, nature, performance, photographs, physical, romance, sebastian stumpf, self, series, space, surrender, the wild, water
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‘Melting’ (2013) by Cian-Yu Bai.
By mh
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Posted in Abstraction
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Also tagged action, amsterdam, Cian-Yu Bai, dissolve, DIY, dream, fantasy, human, liquid, melting, painting, red, romance, room, solids, subconscious, taiwan, unknown
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William Pope.L, ‘The Great White Way, 22 miles, 9 years, 1 street’ (2001-ongoing). From the larger series ‘eRacism’.
People who are forced to give up their verticality are prey to all kinds of dangers. But, let us imagine a person who has a job, possesses the means to remain vertical, but chooses momentarily to give up that verticality? To undergo that threat to his/her bodily/spiritual categories—that person would learn something. I did… Now I crawl to remember. – William Pope.L
By mh
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Posted in Abstraction
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Also tagged 1 street, 22 miles, 9 years, action, american, body, broadway, crawl, dangers, decomment, discrimination, DIY, endurance, eracism, fuckem, great white way, horizontality, individual, new york city, performance, photograph, preferred, prey, privileged, public art, public space, race, slowness, spiritual, street view, the wild, unknown, verticality, william pope.l
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The instructions for Pierre Huyghe‘s ‘Influenced’ (2011)
By mh
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Posted in Composition
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Also tagged action, architecture, assistant, catgious, disguise, DIY, esther schipper, fever, flu, found, French, fuckem, fun, gallery, hidden, influenced, influenza, inhabit, invade, normal, performance, Pierre Huyghe, presence, romance, scarf, sick, sneeze, space, symptoms, the wild, unknown, unseen
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‘City Night’ (1926) by Georgia O’Keeffe
By mh
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Posted in Abstraction
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Also tagged alone, american, architecture, buildings, city, darkness, Georgia O'Keeffe, individual, loneliness, modernism, night, offices, outside, painter, painting, romance, single, sky, street, tall, towers, unknown, view, wall
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William Pope.L
William Pope.L, ‘The Great White Way, 22 miles, 9 years, 1 street’ (2001-ongoing). From the larger series ‘eRacism’.
People who are forced to give up their verticality are prey to all kinds of dangers. But, let us imagine a person who has a job, possesses the means to remain vertical, but chooses momentarily to give up that verticality? To undergo that threat to his/her bodily/spiritual categories—that person would learn something. I did… Now I crawl to remember. – William Pope.L