The on-going project “Vo Rocasco Rasmussen” that began in 2003, was one of Danh Võ’s first forays in the systematic subversion of hegemonic cultural structures. Legally marrying and adopting the names of one close friend after another, this on-going work could be seen as a tribute to loyalty and love, but his subsequent accumulation of names over time calls into question the role a name plays in our understanding of identity. His passport, for example, does not read the same as his bank-card, and the name on his driver’s license is different from his door bell.
Djordjevic made a musical about a retired woman living in the countryside of Serbia (her mother). A group of singers follows her around during her daily tasks and provides them with a musical score.
