Tag Archives: writing


Jack Strange

JAckStrange_Keep Going, Keep Growing, Keep Cutting, Keep Swimming’, 2009, Framed Artist's Nail Clippings on Paper

Jack Strange, ‘Keep Going, Keep Growing, Keep Cutting, Keep Swimming’ (2009)

Framed artist’s nail clippings on paper.


John Baldessari

John Baldessari, I Will Not Make Any More Boring Art (1971)

John Baldessari, I Will Not Make Any More Boring Art (1971)


Nana Kogler

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Nana Kogler, ‘1305 full names out of my long term memory in five weeks’ (2010)


Unknown

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In 1961, this submission letter — written by an aspiring 14-year-old author named Stephen King — arrived at the offices of Spacemen Magazine accompanied by a copy of “The Killer,” the short story in question. Unfortunately for Stephen the magazine’s editor, Forrest Ackerman, didn’t deem the tale worthy of inclusion at that point.


Jean Rivère

le monde de-l-ecriture-book-1958

Page from the book ‘Le Monde de l’écriture’ (1958) by Dr. Jean Rivère


Jimmie Durham

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Jimmie Durham, ‘The Piece of Wood’ (2005)

Read the piece of wood’s biography here.


André Breton and Philippe Soupault

Screen shot 2015-01-31 at 13.42.14

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André Breton and Philippe Soupault, excerpt from ‘The Magnetic Fields’ (1920)

Translated by Maria Elena Buszek

Magical squares do not make good stopping places.


Charles Bukowski

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‘8 count’ by Charles Bukowski, from ‘Burning in Water, Drowning in Flame: Selected Poems 1955-1973′


Jimmie Durham

SNACK BAR
VARIATIONS

Sneak Bear
Snuck Boar
Snake Bare
Snock Beer
Snook Burr
Snick Boor
Snike Byre
Snuck Burr
Sneak Bare
Snake Beer
Snook Boor
Snack Bore
Snack Beer
Snack Bare
Smack Bar
Smack Bare
Smack Bear
Smack Boar
Slack Bear
Slack Beer
Slack Boor
Back Snar
Back Snore
Black Snare
Black Smear
Black Sneer
Or Perhaps
Bacr Snak

 

‘Snack Bar Variations’, from Poems That Do Not Go Together, by Jimmie Durham (2005)

A video of the artist reading some of his poems:


Simon Fujiwara

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Deskjob3

Simon Fujiwara, ‘Desk job’ (2009)

“A typewriter sits in the middle of a desk surrounded by a litter of screwed up paper, notes typed on file cards, and reference photographs of architectural details, erotic sculpture and gay pornography. Copies of the one-page synopsis of the novel are stacked on the desk, setting the fictional parameters as it describes the novelist’s thwarted attempts to write, his ultimate seclusion and his indulgence in clandestine sexual activities inspired by and in defilation of the building’s sleek Modernist architecture. The synopsis ends with the first line of the novel: ‘A novelist is living in an exquisitely crafted modernist house …’, a line we see typed on the sheet of paper in the typewriter.” (Kirsty Bell in Frieze Magazine, Issue 132, June–August 2010)