By mh
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Posted in Composition
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Also tagged action, belgium, bricks, DIY, fuckem, hasselt, installation, intervention, leon vranken, obstacle, performance, sculpture, space, wall, z33
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Photograph by Levan Asabashvili.

Photograph by Krzysztof Weglel.
Some examples of informal structures called “kamikaze loggias”, the vernacular extensions of modernist buildings characteristic of Tbilisi. These extensions have been created since the 1990s as an organic response to the new, “lawless” times after the fall of the Soviet Union. They increase the living space and are usually used as terraces, extra rooms, open refrigerators, etc.
It is said that a Russian journalist named them “kamikaze”, drawing a parallel between the romantic and suicidal character of such an endeavour and the typical ending of most Georgian family names “-adze”. This architecture also refers back to the local palimpsestic building technique, which since the Middle Ages has allowed new houses to be built on top of existing ones on the steep slopes of the Caucasus Mountains thus not monumentalising the past but expanding on it for the future.
Read more about the Georgian Pavillion at the 2013 Venice Architecture Biennale here.
By mh
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Posted in Composition
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Also tagged action, biennale, buildings, DIY, eastern european, extensions, found, fuckem, georgia, houses, installation, kamikaze loggias, Krzysztof Weglel, lawless, Levan Asabashvili, modernism, palimpsestic, public space, sculpture, soviet union, suicide, tbilisi, technique, the wild, venice, wall
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Conceptual drawings of what tourism in North Korea might look like in the future, created by North Korean architects. (Project commissioned by Nick Bonner in 2014.)
By sk
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Posted in Composition
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Also tagged architect, bridge, building, city, concept, drawing, future, modernism, Nick Bonner, North Korea, painting, tourism, utopia, Utopian tours
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Marlow Moss, wooden model for aluminum construction (1956)
By dd
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Posted in Composition
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Also tagged aluminum, british, constructivist, found, lost, marlow moss, model, painting, piet mondriaan, sculpture, unrealized
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By mh
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Posted in Composition
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Also tagged building, design, DIY, france, fuckem, houses, housing, hungarian, living, megastructures, method, society, the wild, unknown, upwards, urban planning, ville spatiale, visionary, yona friedman
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Piero Golia, ‘It takes a nation of millions to hold us back’ (2003)
The entire façade of a building removed from its original position in Amsterdam and installed in a gallery space in Paris. The work’s title is a reference to the mythical album by the rap band Public Enemy.
By mh
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Posted in Composition
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Also tagged action, amsterdam, DIY, facade, found, Front, fuckem, fun, gallery, house, installation, invincibility, it takes a nation of millions to hold us back, los angeles, muur, paris, piero golia, private space, public enemy, public space, sculpture, the wild, wall
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Works from the exhibition ‘Social … Quasi Social … Solitary …Spiders … On Hybrid Cosmic Webs’ by Tomás Saraceno at Esther Schipper, Berlin.
A display of hybrid spiderwebs made by various species of spiders. The result: webs on top and inside of other webs, webs woven by rare species of social spiders with webs of solitary, asocial spiders.
By mh
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Posted in Composition
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Also tagged action, alone, asocial, berlin, collection, esther schipper, found, hybrid, installation, light, mix, nature, romance, sculpture, social, spiders, together, Tomás Saraceno, unknown, weave, webs, woven
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Oscar Abraham Pabón, ‘Sculptural tradition’ (2013)
By mh
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Posted in Composition
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Also tagged action, building, carpet, cathedral, cut, DIY, found, fuckem, open, origami, Oscar Abraham Pabon, pattern, persian, rug, sculptural tradition, sculpture, the wild, unfold, unknown
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Jeff Wall, ‘The destroyed room’ (1978)
By mh
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Posted in Composition
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Also tagged action, delacroix, destroyed room, destruction, DIY, found, fuckem, Jeff Wall, light, mess, painting, photograph, photography, possessions, romance, symbolism, the wild, trash
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Tercerunquinto
Tercerunquinto, ‘Escultura publica en la periferia urbana de Monterrey’ (2006)
‘Escultura publica en la periferia urbana de Monterrey’ is a public sculpture on the periphery of the city of Monterrey. It consisted of a concrete foundation that was free to use by the people of Monterrey. Apart from being used as a platform for a political rally, it was transformed among others into a marketplace, a hangout, until eventually becoming claimed by a man who built his house on it. The house remains there to this day.