Monthly Archives: September 2012


Luis Galán García & Daniel Fernández Pascual

Luis Galán García & Daniel Fernández Pascual, ‘Road Trip through Madrid’s Bubble Challenge’ (2010)

After a decade of unprecedented real estate development, Madrid starts to deal with its contemporary ruins: on one hand, more than 47,000 empty apartments wait for a first buyer (Asprima report/Dec.2009), and on the other, hundreds of kilometres of perfectly paved streets run between eerie blocks, waiting for a first construction on their sides.

Road Trip through Madrid’s Bubble Challenge’ is an on-going photo-reportage of these frozen in time areas of development. Can they become the natural protected areas of the future?


Cyprien Gaillard

‘Take the Arches’ (2007) by Cyprien Gaillard


Thomson & Craighead

Thomson & Craighead, ‘Several Interruptions’ (2009)

Watch the video here


Justin Morin

‘Belgian Flag’ by Justin Morin


Mika Rottenberg

Stills from Mika Rottenberg‘s ‘Cheese’ (2008)


Olaf Nicolai

Olaf Nicolai, ‘The Blondes’ (2003)

The photographs were taken during the month that Olaf Nicolai ran a beauty parlor in the center of Tilburg in the Netherlands. He offered to bleach visitors’ hair free of charge, in exchange for the permission to use images of them in his work.


Danh Vo

The on-going project “Vo Rocasco Rasmussen” that began in 2003, was one of Danh Võ’s first forays in the systematic subversion of hegemonic cultural structures. Legally marrying and adopting the names of one close friend after another, this on-going work could be seen as a tribute to loyalty and love, but his subsequent accumulation of names over time calls into question the role a name plays in our understanding of identity. His passport, for example, does not read the same as his bank-card, and the name on his driver’s license is different from his door bell.


Daniel Malone / Billy Apple

Daniel Malone / Billy Apple.


Nasan Tur

Nasan Tur, ‘Passport’ (2000)

Applying for a German passport, Nasan Tur let his mustache grow over several months, fitting the cliche of the Turk in Germany.

This small alteration in his appearance led to a complete change in perception of and reaction to him from the outside world in his daily life. In the circles in which he normally moved he was suddenly no longer welcome, and from a female point of view unsexy, whereas he was greeted with “Salem Aleykum” when walking past Turkish cafés and reaped enthusiastic compliments from aunts and uncles.


Gillian Wearing

Gillian Wearing, ‘Self-Portrait as my Father, Brian Wearing’ (2003)