‘Mirror way’ (1980) by Mary Miss
By mh
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Posted in Abstraction
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Also tagged american, architecture, building, DIY, environment, experience, history, installation, location, mary miss, mirror way, path, relational aesthetics, sculpture, site-specificity, space, stairs, wall, wood
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Diango Hernandez, ‘No tea, no sofa, no me’ (2010)
By dd
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Posted in Composition
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Also tagged cuba, defamiliarize, Diango Hernandez, furniture, hijack, installation, me, reconstruct, romance, sculpture, sofa, tea, the everyday, transform, wood
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‘PET-Flasche’ (2008) by Tue Greenfort.
“Producing 1 kilogram of PET plastic requires 17,5 kilograms of water and results in air emissions of 40 grams of hydrocarbons, 25 grams of sulphur oxides, 18 grams of carbon Monoxide, 20 grams dioxide. In terms of water use alone, much more is consumed in making the bottles than will ever go into them.”
Heimo Zobernig, untitled (2005)
By mh
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Posted in Composition
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Also tagged austrian, collection, display, empty, found, Heimo Zobernig, installation, projection, reflecting, screens, sculpture, surfaces, unknown, untitled, vienna, white
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By mh
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Posted in Abstraction
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Also tagged adding, collection, distance, disuse, fibonacci, france, French, fun, joke, ladder, mathematics, paris, sculpture, text, Thomas Cristiani & Antoine Roux, total, unknown, wall, whole
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Derek Bourcier, ‘Calling all destroyers’ (2010)
By mh
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Posted in Composition
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Also tagged action, add, base, calling, derek bourcier, destroyers, DIY, fuckem, potential, public art, public space, skate, street, the wild, unknown, vandalism
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Oscar Tuazon’s pavillion ‘Raped Land & the Trees’ at the Venice Biennale (2011)
By mh
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Posted in Composition
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Also tagged action, biennale, concrete, DIY, fuckem, installation, oscar tuazon, para-pavillion, performance, public space, relational aesthetics, sculpture, structure, the wild, venice, wall
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Michelangelo Pistoletto, ‘Structure for talking while standing, Struttura per parlare in piedi (Oggetti in meno)’ (1965–66)
By mh
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Posted in Composition
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Also tagged Abstraction, iron, michelangelo pistoletto, performance, railing, relational aesthetics, sculpture, standing, structure, suggestion, talking, unknown
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Tercerunquinto
Tercerunquinto, ‘Escultura publica en la periferia urbana de Monterrey’ (2006)
‘Escultura publica en la periferia urbana de Monterrey’ is a public sculpture on the periphery of the city of Monterrey. It consisted of a concrete foundation that was free to use by the people of Monterrey. Apart from being used as a platform for a political rally, it was transformed among others into a marketplace, a hangout, until eventually becoming claimed by a man who built his house on it. The house remains there to this day.