
Centennial Society (Packard Jennings), ‘Walgreens coupons’
This coupon is made to be inserted in the Walgreens EasySaver Catalog available every month at Walgreens, a chain of superstores comparable to Walmart.


Centennial Society (Packard Jennings), ‘Walgreens coupons’
This coupon is made to be inserted in the Walgreens EasySaver Catalog available every month at Walgreens, a chain of superstores comparable to Walmart.


Pauline Bastard, ‘Over the rainbow’ (2009)
A lot of her works are videos that I can’t show you here, because her website’s so Flashy… so go there.
Momus, ‘Boring books’ (2008)
A selection of book titles and covers so boring they’re interesting.
Via vvork


Lenka Clayton, ‘Repairing Lebanon’ (2007)
A series of five digitally repaired images of buildings in Lebanon damaged by the 2006 conflict with Israel

Christopher Chiappa, ‘Hermit crab’, video (2010)
‘Hermit crab’ is a video manipulating common childhood pet hermit crabs in a way that
depicts power and abuse. The artist’s head is cropped out of each frame as he methodically
glues each of the twenty-five hermit crab shells together to form a circle. The crabs’ behavior
during the gluing evokes human struggle and strategies for coping as a group.

Photograph taken at the end of the production of the film.
Stephen Wiltshire draws Rome from memory.
Stephen Wiltshire is a British man who was diagnosed as autistic when he was a child. He’s also been noted for his exacting memory, which allows him to recreate [in drawings] vast scenes he sees only once. This video shows his 16-foot-panorama of Rome after taking one helicopter ride above the city.

Olivier Maarschalk, ‘Memories from the future’
During a lonely stay in Finland, Maarschalk asked his mother, girlfriend and roommate to pick a date and time in the future, on which they expected him and themselves to still be alive. For each person he made a drawing that shows the exact curve in which the sun enters his studio on that specific time. The drawings were sent to each participant by post.
Olivier Maarschalk is participating in WHAT’S THE POINT OF GIVING YOU ANY MORE ARTISTS? which opens coming Friday at eight.
Goshka Macuga’s ‘(On) The nature of the Beast’
Goshka Macuga, ‘The nature of the beast’ (2009)
Macuga was commisioned to make new work by the Whitechapel Gallery in London, where Picasso’s ‘Guernica’ had once been exhibited. Inspired by this historic fact, Macuga made a replica of the Guernica tapestry that Nelson Rockefeller commisioned in 1955. Some thirty years later this was lent to the United Nations Headquarters in New York where it has hung ever since outside the Security Council. Offered as a deterrent to war, in 2003 the tapestry was covered by a blue curtain in front of which Colin Powell delivered his fateful speech on weapons of mass destruction in Iraq.
Macuga’s installation ‘The nature of the beast’ in the Whitechapel Gallery consisted of the Guernica’s replica, as well as a round meeting table (a symbol of democracy) in front of it. The room had been designed to accommodate meetings, discussions and debates around the central table, with Guernica once again as a backdrop. Groups were invited to organise these events free of charge during opening hours.
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