
Siân Robinson Davies, ‘Explaining Sense and Sensibility to an Old Deer’ (2010)
“Wollaton Hall is a 16th century house in Nottingham, with grounds inhabited by freely roaming deer and rooms housing a vast collection of taxidermy animals, and is said to have influenced Jane Austin’s novel Sense and Sensibility. In Explaining Sense and Sensibility to an Old Deer I read sections of the book to a dead stag, while explaining human traits such as irony, sadness, empathy, sexist humour and equal opportunities by trying to equate them to social situations that the deer might once have found itself in.”
By dd
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Posted in Composition
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Also tagged action, deer, dialogue, fable, human traits, jane austin, performance, relational aesthetics, romance, satire, sense and sensibility, Siân Robinson Davies, story, taxidermy, the wild, unknown, wollaton hall
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Thomas Mailaender, ‘Gone fishing’ (2009)
The Gone Fishing project tells the modern epic of a young man fleeing his new responsibilities as a father by going on holidays with buddies. Through a false compilation of letters from the young dad to the young mom, Thomas Mailaender invents a character: a sort of immature Ulysses, more inspired by the beer, big-game fishing or ping-pong tournaments that by his new-born child.
Preview can be downloaded here
By dd
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Posted in Composition
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Also tagged action, baby, book, collection, dolphin, epic, escape, father, fiction, flee, fuckem, fun, gone fishing, holidays, joke, letters, light, love, mates, nature, photos, romance, tale, the wild, thomas mailaender, travel, water, writing
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By mh
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Posted in Composition
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Also tagged action, double, duck, dutch, found, fuckem, geese, goose, holland, landscape, light, marijke van warmerdam, mirror, netherlands, photograph, polder, public space, reflection, romance
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David Shrigley, ‘Swan’ (2000)
“One day (maybe it was the early Nineties) when my life was a little less full than it is now, I spent an afternoon being stoned with a friend. We ended up in a bar and we started drawing animals without heads. The animals we drew had not been decapitated; they had been born without heads and had lived like that. Over the years there have been quite a few headless creatures in my work. Perhaps my interest in them was started on that day.” – David Shrigley
By dd
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Posted in Composition
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Also tagged bar, caricature, collection, creature, David Shrigley, doodle, draw, fuckem, fun, headless animal, joke, multiple, object, resin, signed, small, smoke weed, swan, the wild, unlimited, white
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Pierre Ardouvin, ‘Debout’ (2005)
By mh
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Posted in Abstraction
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Also tagged blue, boots, collection, debout, found, france, fuckem, fun, green, humanized, humans, installation, joke, objects, pierre ardouvin, sculpture, trash, two, wall, wellies, wellingtons, wheelbarrows
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Derk Thijs at Rijksakademie Open 2010
By mh
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Posted in Abstraction
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Also tagged attic, carving, columns, dark, Derk Thijs, found, fuckem, installation, light, mystery, nature, romance, sculpture, solemnity, space, the wild, unknown, wood
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Graham Hudson, ‘Trauma Monument’ (2008)
4 cardboard boxes, 2 tape measures.
By mh
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Posted in Abstraction
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Also tagged action, balance, cardboard boxes, collage, fragility, fuckem, fun, graham hudson, gravity, installation, monument, sculpture, stack, tape measures, the wild, trash, trauma, unknown, weight
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Sarah Braman, ‘Love Song (soft rock)’ (2008)

Franziska Sinn, ‘Rooms / Hotelroom Modifications’ (2011)
By mh
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Posted in Composition
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Also tagged action, balance, cheap, collection, franziska sinn, fuckem, fun, furniture, hotel room, installation, modification, photography, symmetry, the wild
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Walter Swennen
by Walter Swennen