Frederik van Simaey, excerpts from ‘Together we are one’.
Van Simaey’s work is on view from Friday 20hrs on until the 18th of April, during the exhibition ‘WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?’
Frederik van Simaey, excerpts from ‘Together we are one’.
Van Simaey’s work is on view from Friday 20hrs on until the 18th of April, during the exhibition ‘WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?’
Daniel Bejar, ‘The visual topography of a generation gap’ (2006 – now)
A copy was made from Bejar’s original apartment key, then a copy was made from that copy. This process was repeated until the original keys information was destroyed, resulting in the topography of a generation.
Ferdinand ‘Postman’ Cheval’s ‘ideal castle’.
Cheval began the building in April 1879. He claimed that he had tripped on a stone and was inspired by its shape. He returned to the same spot the next day and started collecting stones.
For the next 33 years, during his daily mail route, Cheval carried stones from his delivery rounds and at home used them to build his Palais idéal, the Ideal Palace. First he carried the stones in his pockets, then a basket and eventually a wheelbarrow. He often worked at night, by the light of an oil lamp.
Cheval spent the first two decades building the outer walls. The Palace is a mix of different styles with inspirations from the Bible to Hindu mythology. Cheval bound the stones together with lime, mortar and cement.
More after the jump.
‘Stacked Lego bricks’ by Camille Laurelli.
Here are some more random images taken from his blogspot, which is like a look into his studio…
Gianni Motti, ‘Finishing’ (2000)
The day of the opening coincided with the marathon of Bienne. Gianni Motti moved the finishing line, adding an extra three meters to the distance of the race.
Christopher Richmond, ‘Chasing the horizon’ (2008)
A performance where Richmond runs after the horizon for as long as it is in his sight.
Found on the website of the wonderful Szpilman Awards.
Pierre Ardouvin
Pierre Ardouvin, ‘Les Quatre Saisons’ (2010)
Pierre Ardouvin is participating in WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?