Marie Farrington, ‘Slip (White on White)’ (2014)
Porcelain
Posted in Composition
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Tagged finger, installation, ireland, Marie Farrington, material, porcelain, process, remainder, romantic, round, slip, wall, white
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Stuart Sherman in ‘Eleventh Spectacle’ (1978)
Photograph by Babette Mangolte
Sherman’s “spectacles” were programs of very short plays performed on portable tabletops propped open on the sidewalk—or in the park, or someone’s apartment—in which he would physically manipulate and create semantic “dramas” around inanimate objects. He created and performed eighteen “spectacles” in all (12 solo and 6 group performances).
Posted in Abstraction
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Tagged 1 person, arbitrary, audience, demonstration, drama, linguistics, manipulate, mobile, semantic, spectacle, stuart sherman, system, tabletop, theatre, USA
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Giles Round, ‘Unnecessary letters (Z)’ (2014)
Machine cut felt, 140 x 92cm
Posted in Composition
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Tagged arts and crafts, black, character, craft, felt, giles round, hanging, letter, ready-made, sculpture, The grantchester pottery, uk, Unnecessary, z
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Janice Kerbel, from the ‘Remarkable’ series (2007)
Faintgirl, Double Attraction, Crystal and Blindspot and Regurgitating Lady
Silkscreen print on campaign poster paper, each 107 x 158 cm
Posted in Abstraction
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Tagged advertisment, all forms of falsehood, bashful, Canada, circus, event, faintgirl, fantasy, fiction, headline, images, imagination, janice kerbel, language, mind, poster, regurgitating lady, text, the shyest person alive, turner prize 2015, uk
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Théodore Roussel, ‘The Reading Girl’ (1886-7)
Posted in Composition
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Tagged black, book, chair, French, genre, girl, japanese, naked, nude, painting, privacy, reading, Théodore Roussel
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Özlem Altin, ‘Untitled (Mädchen im Baum)’ (2013)
photo prints, 122 x 190 cm
Posted in Composition
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Tagged baum, berlin, black and white, found, girl, hanging, image, lying, madchen, muur, nature, position, public space, relational aesthetics, romance, sleep, the wild, tree, unknown, wall, weird, white, Özlem Altin
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Heather Phillipson, still from ‘SERIOUS TRACTION’, online commission for Opening Times (2015)
Watch here: http://otdac.org/serious-traction/
Posted in Abstraction
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Tagged fast, gloves, heather phillipson, internet, legs, love, nurse, online, opening times, operation, red, serious traction, spoon, uk, vagina, video, you look like death
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Etienne-Jules Marey, from the series ‘Mouvements de l’air’ (Movements of air)
In 1901, the French scientist, physiologist and chronophotographer built a smoke machine with 58 smoke trails, in order to study movements of air.
Posted in Composition
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Tagged 1900, air, DIY, force, French, invisible, light, movement, nature, photographs, physiology, romance, science, smoke machine, study
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Robert Irwin, ‘Untitled (Acrylic Column)’ (1969-2011)
acrylic, 473.7 cm x 22.9 cm x 8.9 cm
Posted in Composition
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Tagged acrylic, cars, column, copy, double, light, public space, red light, reflection, robert irwin, sculpture, street, street view
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René Magritte, ‘The Human Condition’ (1933)
Posted in Composition
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Tagged copy, curtain, easel, fidelity, human condition, landscape, light, nature, painting, painting in painting, projection, reality, rene magritte, sky, surrealist, the wild, tree
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