Monthly Archives: July 2012


Cornelia Konrads

Cornelia Konrads, ‘Passage’ (2007)


Jimmie Durham

‘Arc de Triomphe for personal use’ (2007) by Jimmie Durham


Elena Bajo

Elena Bajo, ‘The Factory of Forms’ (2012)

Metal factory rejects, reclaimed concrete.


Peter Sandbichler

‘The Wall’ (2010), by Peter Sandbichler


Bruce Nauman

Bruce Nauman, ‘Square depression’ (2007)

at the Skulptur Projekte Münster.


Nedko Solakov

Nedko Solakov, ‘A (not so) White Cube’ (2006)


Pierre Joseph

Pierre Joseph, ‘Jeu de sept erreurs.’ (1995)

A bathroom where seven errors have crept in.


Germaine Kruip

Germaine Kruip, ‘Once it was today’ (2006)

The Red Salon in the Van Loon Museum, Amsterdam, is cast in a its own colour negative (green) by using a still video projection; all colour is thereby extracted from a section of the room, turning the space into a black and white version of itself.


David Robbins

Art Dealers’ Optical Test #1: When Peter Nagy of Nature Morte looks at the square, the near circle appears double. The reverse is true when the circle is fixated.

Art Dealers’ Optical Test #2: To Colin de Land of American Fine Arts, the string appears single wherever it is fixated, double elsewhere.

Art Dealers’ Optical Test #4: Helene Winer of Metro Pictures points to rectangle that appears to match one held up by gallery partner Janelle Reiring at each testing distance.

Art Dealers’ Optical Test #6: Light Directed from the side through the closed lid of Oliver Wasow of Cash/Newhouse Gallery will cast a shadow of the retinal blood vessels that can be seen with careful observation.

From ‘The art dealers’ optical tests’ (1987) by David Robbins


Jan Dibbets

Jan Dibbets, ‘Perspective Correction’ (1968)