


From the series ‘Spomenik’ (2010) by Jan Kempenaers

‘Suite Vénitienne’ (1980) by Sophie Calle
‘For months I followed strangers in the street. For the pleasure of following them, not because they particularly interested me. I photographed them without their knowledge, took note of their movements, then finally lost sight of them and forgot them.
At the end of January 1980, on the streets of Paris, I followed a man whom I lost sight of a few minutes later in the crowd. That very evening, by chance, he was introduced to me at an opening. During the course of our conversation, he told me he was planning an imminent trip to Venice.’
Suddenly, the narrator decided to join him. The next morning, armed with a camera and a blonde wig, she took the train to Venice, where she discovered where he was staying, then shadowed him, taking photographs where she could.



This was a practice where the mother, often disguised or hiding, often under a spread, holds her baby tightly for the photographer to ensure a sharply focused image.
From The Hidden Mother

‘Blinks’ (1969), by Vito Acconci
Acconci set himself the task of walking a continuous line down a street, holding a camera aimed away from him, ready to shoot. He tried not to blink. Each time he did, he snapped a photo.

Roman Korovin, ‘Smell of the elephant’ (2010)
Seen a few days ago at one of the locations of this year’s Leipzig photofestival. Below are a few nice details of his installation.
On view until tomorrow.




