‘Exit’ (2009) by Oskar Dawicki
By mh
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Posted in Composition
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Also tagged action, architecture, clothes, escape, fuckem, fun, house, leave, open, oskar dawicki, performance, poland, public art, public space, romance, rope, textile, the wild, unknown, window
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The only ray of light from an apartment block on Tongil Street, Pyongyang, North Korea (2011), photograph by Hendrik Schwartz.
Apparently, North Korea’s supply of electricity is too small to keep shining through the night. Entire streets shut down, and people go to bed early.
By mh
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Posted in Abstraction
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Also tagged architecture, asia, balcony, bbq, darkness, electricity, fuckem, glow, Hendrik Schwartz, light, North Korea, photograph, public art, pyongyang, red, resistance, romance, supply, the wild, unknown, wall
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Richard Hughes, ‘Cosmic Background Radiation’ (2013)
By mh
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Posted in Abstraction
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Also tagged America, architecture, background, blue, cosmic, door, element, fuckem, fun, glow, gradient, lean, light, passage, radiation, red, Richard Hughes, romance, sculpture, unknown, USA, wall
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Bernard Tschumi, ‘Advertisements for Architecture’ (1976-1977)
Several early theoretical texts were illustrated with Advertisements for Architecture, a series of postcard-sized juxtapositions of words and images. Each was a manifesto of sorts, confronting the dissociation between the immediacy of spatial experience and the analytical definition of theoretical concepts. The function of the Advertisements —reproduced again and again, as opposed to the single architectural piece—was to trigger desire for something beyond the page itself.
By mh
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Posted in Composition
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Also tagged action, advertisements, America, architecture, Bernard Tschumi, black, building, collection, design, disable, erotic, france, fuckem, house, Le Corbusier, magazine, print, sensual, text, theoretical, theory, unknown, USA, villa savoye, white
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Dylan Lynch, ‘Standing alone with three cinder blocks (red)’ (2013)
By mh
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Posted in Abstraction
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Also tagged America, architecture, balance, blocks, building, cinder, collection, concrete, crowbar, Dylan Lynch, found, fuckem, fun, light, sculpture, stack, standing, together, unknown, USA, wall
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Rainer Jägals, ‘Hommage à OMU’ (1967)
By mh
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Posted in Abstraction
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Also tagged architecture, axonometric, black, buildings, collection, design, drawing, germany, house, line, morph, mutation, om ungers, progression, rainer jägals, sculpture, series, unknown, white
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Sarra Turan, untitled (2012)
By mh
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Posted in Abstraction
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Also tagged Abstraction, blocks, collection, color, design, divide, field, germany, minimal, order, painting, Sarra Turan, scale, sculpture, size, tables, tone, wood
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Ericka Beckman, ‘You the Better’ (excerpt) (1983)
By mh
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Posted in Abstraction
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Also tagged America, architecture, blocks, building, concrete, design, ericka beckman, fall, film, fuckem, fun, games, girls, guys, housing, kids, music, order, performance, planning, play, song, subdivide, unknown, urban, USA
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B. Wurtz, ‘Slide Cube’ (1979)
35 mm slides, 5 x 5 x 5 cm.
By mh
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Posted in Abstraction
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Also tagged America, analogue, b. wurtz, black, blind, cube, darkness, found, fuckem, fun, image, light, photograph, photography, sculpture, slides, unknown, USA, viewer
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