René Magritte, ‘Not to be reproduced’ (1937)
Portrait of and commissioned by poet and Magritte patron Edward James.
René Magritte, ‘Not to be reproduced’ (1937)
Portrait of and commissioned by poet and Magritte patron Edward James.
Pencil and watercolor by Lt. Francis Meynell, “Slave deck of the Albaroz, Prize to the Albatross, 1845”, shows Africans liberated by the British Navy. The Albanez (erroneously identified as Albaroz) was a Brazilian vessel, captured by the Royal Navy ship, Albatross, off the mouth of the Coanza/Cuanza River (in present-day Angola) in 1845. Meynell was mate on the Albatross, captained at the time by Reginald Yorke. According to the NMM records, the Albatross was commissioned in 1842 and cruised African waters until 1849.
On March 12, 1919, the Chelsea Arts Club held a costume party, called a Dazzle Ball, at Royal Albert Hall in London. It was inspired by the abstract geometric shapes on camouflaged ships in World War I , a method that was first employed by the British, who called it “dazzle painting” or dazzle camouflage. When the Americans adopted a comparable method, they referred to it by other names, among them “baffle painting,” “jazz painting,” and (rarely) “razzle dazzle.”