
Gunta Stölzl, ‘Jacquardentwürfe’ (‘design for a Jacquard woven textile’) (1927).
‘Statues also die’ (1953) by Alain Resnais, Chris Marker & Ghislain Cloquet.


On March 12, 1919, the Chelsea Arts Club held a costume party, called a Dazzle Ball, at Royal Albert Hall in London. It was inspired by the abstract geometric shapes on camouflaged ships in World War I , a method that was first employed by the British, who called it “dazzle painting” or dazzle camouflage. When the Americans adopted a comparable method, they referred to it by other names, among them “baffle painting,” “jazz painting,” and (rarely) “razzle dazzle.”


‘Prototype for New Understanding #8’ (1999)

‘Prototype for New Understanding #16’ (2004)

‘Prototype for New Understanding #21’ (2005)
All works by Brian Jungen