‘Studioadres’ (2000) by Marc Bijl & Steffen Maas.
Marc Bijl and Steffen Maas added their own names and studio address to construction boards.
Alan Fertil & Damien Teixidor, ‘Model for a fountainhead’ (2012)
mixed media. 290×290 cm
By dd
|
Posted in Composition
|
Also tagged action, alan fertil, architecture, blue, bruxelles, damien teixidor, DIY, fountainhead, green, intervention, meeting place, nostalgic, pool, public art, public space, relational aesthetics, romance, sitting, skate, the ister, the wild, tiles, train station, unknown, waiting, water
|
‘Construction Rubble of TENT’s Central Space’ (2011) by Lara Almarcegui.
Piles of raw construction material that equal the amounts used to build the exhibition space.
By sk
|
Posted in Composition
|
Also tagged brick, calculate, construction, equal, exhibition, Lara Almarcegui, material, pile, raw, rotterdam, rubble, sand, stone, tent
|
‘Sleep’ (2004) by Jan Huijben.
Jan Huijben took sleeping pills and slept inside the gallery space, throughout the opening of his exhibition.
Mowry Baden, ‘Otis Room’ (1975)
By dd
|
Posted in Composition
|
Also tagged architecture, canadian, experience, mowry baden, muur, narrow, obstacle, pace, photograph, platform, room, tight, uncomfortable, walking
|
‘On Space Time Foam’ (2012) by Tomás Saraceno.
‘Bisection of an unknown space by two equal lines’ (2012) by Graham Hudson.
Bruce Nauman, ‘Room with My Soul Left Out, Room That Does Not Care’ (1984)
By mh
|
Posted in Abstraction
|
Also tagged architecture, bruce nauman, care, corridor, DIY, fuckem, hallway, installation, left out, lights, performance, relational aesthetics, romance, room, sculpture, soul, text, through, unknown, walk, wall
|
Dennis Oppenheim, ‘Device to root out evil’ (1997)
By mh
|
Posted in Composition
|
Also tagged church, critique, dennis oppenheim, device, down, evil, exorcism, god, house, installation, out, public, religion, romance, root, sculpture, street view, unknown, upside
|
