Tag Archives: sculpture


Josué Rauscher

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Josué Rauscher, ‘Remue-ménage‘ (2008)

Rauscher is an artist living and working in Avignon, France.

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Nathan Coley

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Nathan Coley, ‘We must cultivate our garden’ (2007)

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Eric Von Robertson

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Eric Von Robertson, ‘All alone together’ (2010)

Initial research project around Duane Hanson’s realist figures.

Car Dealer – The watch on this sculpture has been dormant for years.
This project is essentially about replacing the batteries in these sculptures or inhabiting them in some way.

Eric Von Robertson is participating in WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?, the very first exhibition curated by Pietmondriaan.com, opening tonight at KOP in Breda!


Pierre Ardouvin

Les Quatre Saisons by Pierre Ardouvin

Pierre Ardouvin, ‘Les Quatre Saisons’ (2010)

Pierre Ardouvin is participating in WHAT’S THE POINT OF GIVING YOU ANY MORE ARTWORKS?


Johan Holleman

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Johan Holleman, ‘Pillar’ (2003?)

Installation in the hallway of the Breda art school.


Pierre Labat

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Pierre Labat, ‘space between’ (2006)


Chris Finnegan

Chris Finnegan, Untitled (2006)

Finnegan is an artist living and working in Dublin, Ireland.


Danh Vo

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Danh Vo, ‘Oma Totem’ (2009)

Totem of objects that Vo’s grandmother, Nguyen Thi Ty, received from The Immigrant Relief Program and The Catholic Church upon arriving in Denmark as a refugee: – 1 Phillips 26 inch TV – 1 Gorenje washing machine – 1 Bomann refrigerator – 1 wooden crucifix – 1 personalized entrance card for a casino


Michael Landy

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Michael Landy, ‘Semi-detached’ (2004)

A 1 : 1 replica of the house of his parents.

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Lara Almarcegui

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‘Relocated houses, Brittons yard’ (2009) by Lara Almarcegui.

On the outskirts of the city of Wellington (NZ) there is a weird collection of houses. The houses are moved there from different places and on display, waiting to be sold (housemoving is a common occurance in New Zealand). The result is a ghost-town like street with empty buildings, some in state of disrepair.

Lara Almarcegui traced the roots of each building in this street. For the One Day Sculpture project she created a tour and a catalogue showing the individual stories and memories connected to each house. By inviting people to visit the yard with her one evening, Almarcegui coaxes us to look not simply at what these buildings are but why and how they are here, and in turn to speculate on the processes of change in our environment.

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