‘Blackhead X’ (2010) by William Hundley.
By sk
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Posted in Composition
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Also tagged black, blackhead, graffiti, graffitti, happy, I was happy when I wrote this, sculpture, speaker, text, wall, william hundley
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Ad Rheinhardt in his studio.
By mh
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Posted in Composition
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Also tagged absolute, abstract, Ad Rheinhardt, black, collection, color, DIY, fuckem, New York, nothing, painter, photograph, plane, representation, square, total, unknown, wall
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‘Business in Motion’ (2012) by Lieke Snellen
By mh
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Posted in Composition
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Also tagged awning, blinds, business in motion, collection, DIY, found, fuckem, installation, Lieke Snellen, netherlands, rotterdam, sculpture, skewed, the wild, unknown, wall, windows
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Francis Denys, ‘Divider (Prototype)’ (2008)
By mh
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Posted in Abstraction
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Also tagged Abstraction, architecture, belgium, brown, cardboard, divider, DIY, found, Francis Denys, fuckem, installation, maquette, model, prototype, room, sculpture, shape, table, tape, the wild, trash, unknown, wall
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‘Wolk (Cloud)’ (2009) by Chris Brans.
‘No Overview’ (fragment) (2014) by Maurice Bogaert.
No Overview shows a series of works made over the last three years. The different works merge into one large scale installation.
By sk
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Posted in Composition
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Also tagged décor, film, installation, Maurice Bogaert, no overview, overview, series, set, setting, wall, work
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Piero Golia, ‘It takes a nation of millions to hold us back’ (2003)
The entire façade of a building removed from its original position in Amsterdam and installed in a gallery space in Paris. The work’s title is a reference to the mythical album by the rap band Public Enemy.
By mh
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Posted in Composition
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Also tagged action, amsterdam, architecture, DIY, facade, found, Front, fuckem, fun, gallery, house, installation, invincibility, it takes a nation of millions to hold us back, los angeles, paris, piero golia, private space, public enemy, public space, sculpture, the wild, wall
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‘I M U U R 2’ (2012) by Danh Vo.
Vo has long been fascinated by the life and work of Martin Wong, a visionary painter and beloved figure of New York’s downtown art scene of the 1980s and ’90s. After acquiring one of Wong’s works, he struck up a correspondence with the artist’s mother, Florence Wong Fie, and eventually visited her home in San Francisco. There, he discovered a remarkable collection of objects ranging from curios and tourist souvenirs to rare antique ceramics and scrolls of calligraphy, interspersed with numerous examples of Wong’s paintings and works on paper.
Marjolijn Dijkman
‘Liberate the Madness’ (2007) by Marjolijn Dijkman.
Temporary stage in front of an existing line of graffiti, that reads ‘liberate the madness’ in dutch.