Tag Archives: modernism


Theo van Doesburg

Theo van Doesburg. Eine Stadt fur den Verkehr, 1929

Theo van Doesburg, ‘Eine Stadt für den Verkehr’ (one city for traffic) (1929)


Anna-Bella Papp

Anna-Bella Papp, untitled, 2014

Anna-Bella Papp, untitled (2014)


Hans Richter

Hans Richter - Houses, 1917

Hans Richter, ‘Houses’ (1917)


Edward Hopper

Hopper Edward - Room in New York - 1940

Edward Hopper, ‘Room in New York’ (1940)


Witold Gombrowicz

kosmos-gombrowicz-cover

The novel ‘Cosmos’ (1965) by Witold Gombrowicz.

“[…] In Cosmos, I am telling the simple story of a simple student. This student goes to spend his holidays as a paying guest in a house where he meets two women, one has a hideous mouth which has been ruined by a motor car accident, while the other has an attractive mouth. The two mouths are associated in his mind and become an obsession. On the other hand he has seen a sparrow hanging from a wire and a piece of wood hanging from a thread… . And all this, a little out of boredom, a little out of curiosity, a little out of love, out of violent passion, starts dragging him towards a certain means of action … to which he abandons himself, but not without skepticism. […] Cosmos is an ordinary introduction to an extraordinary world, to the wings of the world, if you like.” – W. Gombrowicz


Nikolai Suetin

suprematist tablechair set by nikolai suetin 1924

Suprematist table & chair set by Nikolai Suetin, from 1924.


Gunta Stölzl

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Gunta Stölzl, ‘Jacquardentwürfe’ (‘design for a Jacquard woven textile’) (1927).


E.J. Pace

A Fundamentalist cartoon portraying Modernism as the descent from Christianity to atheism, first published in 1922 and then used in Seven Questions in Dispute by William Jennings Bryan

‘The descent of the Modernists’ (1922) by E.J. Pace.

A Fundamentalist Christian cartoon portraying Modernism as the descent from Christianity to atheism, first published in 1922 and then used in the book ‘Seven Questions in Dispute’ by William Jennings Bryan.


Georgia O’Keeffe

City Night_1926_Georgia O-Keeffe

‘City Night’ (1926) by Georgia O’Keeffe


Kamikaze Loggia

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Photograph by Levan Asabashvili.

kamikaze loggia krzysztof weglel

Photograph by Krzysztof Weglel.

Some examples of informal structures called “kamikaze loggias”, the vernacular extensions of modernist buildings characteristic of Tbilisi. These extensions have been created since the 1990s as an organic response to the new, “lawless” times after the fall of the Soviet Union. They increase the living space and are usually used as terraces, extra rooms, open refrigerators, etc.

It is said that a Russian journalist named them “kamikaze”, drawing a parallel between the romantic and suicidal character of such an endeavour and the typical ending of most Georgian family names “-adze”. This architecture also refers back to the local palimpsestic building technique, which since the Middle Ages has allowed new houses to be built on top of existing ones on the steep slopes of the Caucasus Mountains thus not monumentalising the past but expanding on it for the future.

Read more about the Georgian Pavillion at the 2013 Venice Architecture Biennale here.