
‘Antenna Baldessari’ by Mungo Thomson

Gerhard Richter, ‘Two Sculptures for a Room by Palermo’ (1971)
Two plaster heads, painted with gray oil paint, one a self-portrait of Richter, the other a portrait of the German artist Blinky Palermo. The heads face each other across the room, with eyes closed as if each artist is actually looking inward.

Eduardo Arroyo, ‘Carmen Amaya frit des sardines. W. Astoria’ Carmen Amaya is frying sardines. W. Astoria (1989)
etching


Simon Kentgens, ‘Bloom’ (2009)
Two nearly identical flower bouquets, one is real and one is fake. During the course of the exhibition, the real flowers gradually go bad while the fake flowers stay exactly the same.

Sober & Lonely Institute for the Arts in reaction to the end of part two of An Experiment to Test the Destiny of the World?