Tag Archives: culture


Jan van der Heyden

HEYDEN-Jan-van-der-An-Architectural-Fantasy-ca1663

‘An architectural fantasy’ (ca. 1663) by Jan van der Heyden


Will Oliver

Een bezoeker kijkt uit over het financiele hart van Londen vanuit het Leadenhall Building, een van de nieuwste wolkenkrabbers in de stad. Foto- Will Oliver

A visitor looks out over the financial center of London from the Leadenhall Building, one of the City’s newest skyscrapers, by Will Oliver.


Le Corbusier

villasavoye1

‘Villa Savoye’ (1929) by Le Corbusier.

Considered by many to be the seminal work of the Swiss architect Le Corbusier, this house is seen as one of the ultimate ‘machines for living’.

lecorbusier

Le Corbusier with a model of Villa Savoye.

villa_savoye_g090310_1

The construction of the house.

 


Kevin Yates

Kevin Yates, Usher the Fall of the House, 2013

Kevin Yates, ‘Usher the Fall of the House’ (2013)


Wiebke Grösch & Frank Metzger

Wiebke Groesch_Frank Metzger, Untitled, 2014, Fig leaves

Wiebke Grösch & Frank Metzger, Untitled (2014)

Fig leaves.


Christiane Löhr

christianeloehr-Zwei kleine Kuppeln two little domes, 2009 plant stalks, grass stalks

Christiane Löhr, ‘Zwei kleine Kuppeln (two little domes)’ (2009)

Plant stalks, grass stalks.


Sigurdur Gudmundsson

5 Sigurdur Gudmundsson

by Sigurdur Gudmundsson


Romuald Hazoumè

Romuald-Hazoume,-Dr-Nibo,-2013

‘Dr. Nibo’ (2013)

 

Romuald-Hazoume,-Ma-Poule,-2013

‘Ma Poule’ (2013)

 

Romuald-Hazoume,-Petit-wax,-2013

‘Petit Wax’ (2013)

All works by Romuald Hazoumè


Noemie Goudal

Noemie Goudal, Iceberg, from Haven Her Body Was

Noemie Goudal, ‘Iceberg’, from ‘Haven Her Body Was’.


Cildo Meireles

cildo_meireles_Southern Cross (1969-70) oak and pine cube

Cildo Meireles, ‘Southern Cross’ (1969-1970)

Oak and pine cube. Meireles has explained:

Southern Cross was initially conceived as a way of drawing attention, through the issue of scale, to a very important problem, the oversimplification imposed by the proselytising missionaries – essentially the Jesuits – on the cosmogony of the Tupí Indians.

The white culture reduced an indigenous divinity to the god of thunder when in reality their system of belief was a much more complex, poetic and concrete matter, emerging through their mediation of their sacred trees, oak and pine. Through the rubbing together of these two timbers the divinity would manifest its presence.