Jack Strange, ‘Keep Going, Keep Growing, Keep Cutting, Keep Swimming’ (2009)
Framed artist’s nail clippings on paper.
Jack Strange, ‘Keep Going, Keep Growing, Keep Cutting, Keep Swimming’ (2009)
Framed artist’s nail clippings on paper.
‘Fiorucci Made Me Hardcore’ (1999) by Mark Leckey.
Fragments of found video footage from nightclubs are spliced together, repeated, slowed down and edited into a filmed collage about British subcultures.
Mark Leckey, ‘BigBoxStatueAction’ (2003)
Live event at Tate Britain, London. Strapped together and reaching the same proportions as its sculptural counter-part (by Jacob Epstein), Leckey’s speaker stack explores the space in sonic equivalence to the solidity of the form in front of of it. Occasional emissions of largely appropriated sounds address the mass as if to probe and interrogate it in a manner that suggests it is trying to understand it, testing it out. When utilised for performance the sounds hit rib-rumbling low ends at ear-ringing volume.
Jeremy Deller
‘The Battle of Orgreave’ (2001) by Jeremy Deller.
A large scale performance re-enacting a confrontation between the police and striking miners from the 1984–85 miners strike.