Tag Archives: bible


Paul, Herman, and Jean de Limbourg

Folio-184-st.jerome-cross-dressing

Folio 184v, a page from the ‘Belles Heures of Jean de France, duc de Berry’ (1405–1409), which is assumed to be painted by the Limbourg brothers Paul, Herman, and Jean de Limbourg (and their assistants). In this part of the manuscript, the story of St. Jerome, an Illyrian Latin Christian priest, confessor, theologian and historian best known for writing the Latin translation of the Holy Bible, is told.

A prank is played on the pious Jerome: in the dark of night, another monk steals into the saint’s cell and replaces his habit with a woman’s dress. The saint, waking in the pre-dawn hour of Matins, puts on the dress and goes into the church, where the seated monks whisper at the scandal of seeing Jerome, beard and all, in the blue dress of a lady.


Jan Brueghel the Elder

Jan Brueghel de Oude 1568 – 1625 De walvis zet Jona aan land_ca. 1600

Jan Brueghel the Elder, ‘De walvis zet Jona aan land’ (The whale sets Jonah on shore) (ca. 1600)


Pieter Lastman

Pieter_Lastman_(1583-1633)_-_Jonas_en_de_walvis_(1621)

Pieter Lastman, ‘Jonas en de walvis’ (1621)


Jacob Cornelisz. van Oostsanen

‘Salome with the head of John the Baptist’, (1524)  Jacob Cornelisz. van Oostsanen


Tauba Auerbach

‘Alphabetized Bible’ (2006) by Tauba Auerbach.


Robotlab

Robotlab, ‘The Bible scribe’ (2007)

The installation ‘bios [bible]’ consists of an industrial robot, that writes down the bible on rolls of paper. The machine draws the calligraphic lines with high precision. Like a monk in the scriptorium it recreates the text step by step.
Starting with the old testament and the books of Moses, ‘bios [bible]’ produces the whole book within seven months continuously. All 66 books of the bible are written on rolls and then retained and presented in the library of the installation.

(Robotlab is Matthias Gommel, Martina Haitz and Jan Zappe)


Ferdinand Cheval’s ideal castle

facteur cheval ensemble

Ferdinand ‘Postman’ Cheval’s ‘ideal castle’.

Cheval began the building in April 1879. He claimed that he had tripped on a stone and was inspired by its shape. He returned to the same spot the next day and started collecting stones.

For the next 33 years, during his daily mail route, Cheval carried stones from his delivery rounds and at home used them to build his Palais idéal, the Ideal Palace. First he carried the stones in his pockets, then a basket and eventually a wheelbarrow. He often worked at night, by the light of an oil lamp.

Cheval spent the first two decades building the outer walls. The Palace is a mix of different styles with inspirations from the Bible to Hindu mythology. Cheval bound the stones together with lime, mortar and cement.

More after the jump.

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