William Stone, ‘Spilled to the sea’ (2011)
By mh
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Posted in Composition
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Also tagged collage, DIY, installation, nature, painting, river, sculpture, sea, spilled, trash, water, william stone
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Stephen Prina, ‘As he remembered it’ (2011)
The point of departure for As He Remembered It is a memory from the 1980s, shared with artist Christopher Williams, of a fitted unit by architect R. M. Schindler that is taken out of its original context, painted, and recontextualized as an independent object.
To bring this personal anecdote to the Hauptraum of the Secession, Prina chose two now-demolished houses built in the early 1940s by R. M. Schindler in Los Angeles for Hilaire Hiler and Mrs. George (Rose) Harris. Using surviving plans and photographs, he had copies made of the fitted units, resulting in 28 objects that were then used as supports for monochrome painting—Prina painted them pink using “PANTONE Honeysuckle 2011 COLOR OF THE YEAR”—and restaged in a specially developed grid pattern in the Secession’s Hauptraum.
By mh
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Posted in Abstraction
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Also tagged anecdote, architecture, collection, color, context, demolished, furniture, Hilaire Hiler, honeysuckle, installation, limb, los angeles, memory, Mrs. George (Rose) Harris, painted, pantone, personal, photograph, pink, plan, romance, schindler, sculpture, secession, stephen prina, the wild, trash, unknown, year
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‘Mental Pressure’ (2009) by Yasi Ghanbari
Edited copy of Bruce Nauman’s ‘Body Pressure’.
By mh
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Posted in Composition
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Also tagged action, body pressure, bruce nauman, copy, DIY, edit, instructions, mental pressure, poster, romance, tension, text, time, unknown, wall, yasi ghanbari
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Martin Kippenberger, ‘Peter’
The idea of the ‘Peter’ sculpture installation was that all of these sculptures would be clustered together as you see them here in a way that they’re getting into eachother’s space and they make looking at any one sculpture impossible without the interference of all the others. The sculptures are not made by Kippenberger himself, they’re made for him by his assistant Michael Krebber, an artist in his own right.
‘Peter’ was a word that Kippenberger liked to use a lot in a very general way, almost like we now would say ‘whatever’. But it also had a punning aspect in which St. Petersburg was where the Hermitage museum was, and where one could find displayed hundreds of works of art in closed configurations on the walls as opposed to the isolation that we think of in modern western museums.
By mh
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Posted in Composition
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Also tagged action, cluster, DIY, fuckem, fun, hermitage, installation, joke, light, Martin Kippenberger, michael krebber, museum, peter, problem, sculpture, st petersburg, the wild, unknown, wall
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Three works by Matt Mullican
By mh
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Posted in Composition
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Also tagged approp, bed, blue, body, cartoon, closed, collage, comics, covers, DIY, drawing, eyes, frame, fuckem, matt mullican, object, open, romance, spooky, text, trash, unknown
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Danh Vo, ‘Oma Totem’ (2009)
Totem of objects that Vo’s grandmother, Nguyen Thi Ty, received from The Immigrant Relief Program and The Catholic Church upon arriving in Denmark as a refugee: – 1 Phillips 26 inch TV – 1 Gorenje washing machine – 1 Bomann refrigerator – 1 wooden crucifix – 1 personalized entrance card for a casino
By mh
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Posted in Abstraction
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Also tagged casino, church, crucifix, danh vo, denmark, DIY, family, fuckem, gift, installation, korea, objects, oma, oma totem, philips, ready-made, refrigerator, sculpture, text, totem, TV, unknown, washing machine, what's in a name
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