Tag Archives: Martin Kippenberger


Martin Kippenberger

Martin Kippenberger, Untitled, 1987

Martin Kippenberger, Untitled (1987)


Martin Kippenberger

Martin Kippenberger The Happy End of Franz Kafka’s Amerika 1994

Martin Kippenberger The Happy End of Franz Kafka’s Amerika 1994-3

Martin Kippenberger The Happy End of Franz Kafka’s Amerika 1994-2

Martin Kippenberger, ‘The Happy End of Franz Kafka’s ‘Amerika’’ (1994)


Martin Kippenberger

lamppost kippenberger

Martin Kippenberger, ‘Untitled’ (1989)


Martin Kippenberger

‘Yuppi Du’ from Martin Kippenberger‘s Muzik (1979-1995)


Martin Kippenberger

Martin Kippenberger, ‘Metro-Net’

Kippenberger imagined a global underground metro system and started to construct entrances to it in different cities around the world.


Martin Kippenberger

Martin Kippenberger, ‘Richter-Modell (interconti)’ (1987)

Kippenberger bought a 1972, all-gray abstract painting by Gerhard Richter, added a frame and screwed legs onto it.


Martin Kippenberger

Martin Kippenberger, ‘Peter’

The idea of the ‘Peter’ sculpture installation was that all of these sculptures would be clustered together as you see them here in a way that they’re getting into eachother’s space and they make looking at any one sculpture impossible without the interference of all the others. The sculptures are not made by Kippenberger himself, they’re made for him by his assistant Michael Krebber, an artist in his own right.

‘Peter’ was a word that Kippenberger liked to use a lot in a very general way, almost like we now would say ‘whatever’. But it also had a punning aspect in which St. Petersburg was where the Hermitage museum was, and where one could find displayed hundreds of works of art in closed configurations on the walls as opposed to the isolation that we think of in modern western museums.


Martin Kippenberger

‘Bitte nicht nach Hause schicken’ (Please do not send home) (1983) by Martin Kippenberger