Adam Cruces, ‘Vertigo’ (2008)
Check out his website for more nice videos, such as ‘Shane (After Jack Goldstein)’, a remake of Goldstein’s 1975 video.
Tag Archives: youtube
Martin Kohout
‘Moonwalk’ (2008) by Martin Kohout.
Videos by Martin Kohout. You can watch them on his website during opening hours.
Two more:
‘A Ride Trough: Haiti:360° ‘ (2010)
‘The Vehicle S’ (2008)
Bruce High Quality Foundation @ Whitney Biennial
A definite highlight (for me) of the Whitney Biennial was the work ‘We like America and America likes us’ (2010), by The Bruce High Quality Foundation.
With its title and form referring to Joseph Beuys’s performance ‘I like America and America likes me’ (where Beuys was picked up from the airport with a Cadillac ambulance and brought to the gallery, where he lived with a coyote for three days) an old ambulance stands in one of the rooms of the Whitney, a film playing on its windshield. The film is comprised of different clips taken from youtube videos. The female voiceover tells us about her difficult relationship to America, while it is constantly unclear whether America is a man, a woman, a lover, a friend, or really just the country.
The original video that’s shown on the windshield of the ambulance.
Kenneth Anger
Kenneth Anger, ‘Invocation of my demon brother’ (1969)
In 1967, the footage for Anger’s Lucifer Rising was allegedly stolen by Anger’s “Lucifer”, Bobby Beausoleil, who was later convicted for his participation in the Manson murders (Beausoleil denies stealing the footage to this day). Anger went into a deep depression and publicly renounced filmmaking via a full-page “In Memoriam” in The Village Voice. He later moved to London and met up with Mick Jagger and the Stones. By this time, Anger had begun editing two other versions of what was to be Lucifer Rising, although by the final edit it had taken on a very different form, which led to the incarnation of Invocation, a mind-bending collage of sonic terror and subversion and fast paced ritual ambiance which found the union of the circle and the swastika, a swirling power source of solar energy. Mick Jagger contributed a suitably eerie soundtrack with a newly acquired synthesizer.
It is Anger’s most metaphysical film: here he eschews literal connections, makes the images jar against one another, and does not create a center of gravity though which the collage is to be interpreted, as the images of Christ could be interpreted through the actions of the motorcyclists in Scorpio or as the images of Crowley could be interpreted through the ritual of Inauguration. Thus deprived of a center of gravity,the very image has equal weight in the film, and more than ever before in an Anger film, the burden of synthesis falls upon the viewer. The most demonic of Anger’s films, as well as the most fast moving.
Kenneth Anger (born Kenneth Wilbur Anglemeyer February 3, 1927) is an American underground avant-garde film-maker and author. His short films, which he has been producing since 1937, have variously merged surrealism with homoerotica and the occult. Whilst he has produced almost forty short films in his lifetime, only six of these have received distribution, and have come to be referred to as the “Magick Lantern Cycle”. He has been described as “one of America’s first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner”, and some of his homoerotic works, such as Fireworks (1947) and Scorpio Rising (1964), were produced prior to the legalisation of homosexuality in the United States.
Momus
Momus, ‘Boring books’ (2008)
A selection of book titles and covers so boring they’re interesting.
Via vvork
Wesley Willis
Wesley Willis, view on Chicago
Wesley Willis (May 31, 1963 – August 21, 2003) was a busker, musician, comedian and artist from Chicago. A diagnosed chronic schizophrenic, he gained a sizable cult following in the 1990s after releasing several hundred songs of simple but unique music, with emphasis on his humorous, bizarre, and frequently obscene lyrics. In addition to his large body of solo musical work, Willis fronted the punk rock band the Wesley Willis Fiasco. He also produced hundreds of unusual colored ink-pen drawings, most of them of the Chicago skyline and CTA buses.
Stephen Wiltshire
Stephen Wiltshire draws Rome from memory.
Stephen Wiltshire is a British man who was diagnosed as autistic when he was a child. He’s also been noted for his exacting memory, which allows him to recreate [in drawings] vast scenes he sees only once. This video shows his 16-foot-panorama of Rome after taking one helicopter ride above the city.
Jack Goldstein
Jack Goldstein, ‘Shane’ (1975)
‘The knife’ (1975)
‘The jump’ (1978)